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Changing Lanes (2002)

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The story of what happens one day in New York City, when a young lawyer and a businessman share a small automobile accident on F.D.R. Drive, and their mutual road rage escalates into a feud.

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(story), (screenplay) | 1 more credit »
7 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Kim Staunton ...
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Mrs. Delano
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Walter Arnell
Akil Walker ...
Stephen Gipson
Cole Hawkins ...
Danny Gipson
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Ellen
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Mina Dunne (as Jennifer Dundas Lowe)
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Judge Frances Abarbanel
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Terry Kaufman
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Storyline

The story of what happens one day in New York City, when a young lawyer and a businessman share a small automobile accident on F.D.R. Drive, and their mutual road rage escalates into a feud.

Plot Summary | Add Synopsis

Taglines:

One Wrong Turn Deserves Another See more »

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

12 April 2002 (USA)  »

Also Known As:

Fuera de control  »

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Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend USA:

$17,128,062, 14 April 2002, Wide Release

Gross USA:

$66,818,548

Cumulative Worldwide Gross:

$94,935,764
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Screenwriter Daniel Pyne contributed as an uncredited writer to this project. See more »

Goofs

The candidate that Banek interviews is still in the building long after Banek had set off the sprinkler system. He is wearing the same suit, which should have been soaked from the water. See more »

Quotes

[first lines]
Doyle Gipson: Think I'll make this the boys' room.
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Crazy Credits

Thanks to the staff and Militia Force members and veterans at the Marcy Avenue Armory, Brooklyn, New York. See more »

Connections

References Queer as Folk (2000) See more »

Soundtracks

Text for "Veneration of the Cross"
Courtesy of International Commission on English in the Liturgy
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User Reviews

 
Something different; Something good
26 April 2002 | by See all my reviews

Now, I'm not going to slap this movie on my Top 10 list or say it deserves an Oscar nod, like many critics have exclaimed, but I will say it's something different. First of all, it's real. Not an artificial Hollywood shoot 'em up or disaster flick. This is a film about the human struggle. There's no violence or sex, and if it weren't for about 7 uses of the "f" word "Changing Lanes" could've easily earned a PG-13. So don't let the R-rating fool you.

There are three main reasons why I checked out this movie: Samuel, L, Jackson. Needless to say, he's a terrific actor and worth seeing in whatever he does. He's one of my favorites, and he delivers another powerhouse performance, taking on a role somewhat different from his recent roles: he plays an average Joe. We're introduced to his character, Doyle Gibson, who's a very nice guy simply haunted by mistakes in his past, one being alcoholism, which led to a divorce. And now he's attending AA meetings and buying a house for his two kids, hoping he will attain custody of them. Ben Affleck is good and charismatic. I didn't sympathize as much with his character, but that doesn't make him an antagonist. Neither characters are saints, nor are they sinners. That's good, because it's never completely effective to include characters who are entirely sympathetic. They're both mature adults, but they resort to juvenile acts of revenge in hopes that they can undo what happened. Sydney Pollack is great, as Affleck's egotistical father-in-law, proving his talents in front of the camera are just as fine as his talents behind the camera. I wanted to see more of the beautiful Amanda Peet, but she only has approximately 7 minutes of screen time. So I'm guessing that topless scene I heard mentioned didn't make it to the final cut. Oh, well. William Hurt, who seems to do a movie every 5 years, unfortunately has a small, thankless role as an alcohol counselor.

The script is well-written, and the film is a lot more character-driven than ones of recent years. I loved that scene in the bar where Sam Jackson sits in a lonely bar, listening in on two white guys badmouthing Tiger Woods. He lashes back with a terrific monologue, and later ends up punching them out. Some directors would've cut that scene out, overly concerned about the film's pacing, but I'm glad this time that wasn't the case. However, the ending seems a little fake. It's just too happy for its own good. But that's the only element of the movie I found forced.

My score: 7 (out of 10)


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