Barely 21 yet, Frank is a skilled forger who has passed as a doctor, lawyer and pilot. FBI agent Carl, becomes obsessed with tracking down the con man. But Frank not only eludes capture, he revels in the pursuit.
A true story about Frank Abagnale Jr. who, before his 19th birthday, successfully conned millions of dollars worth of checks as a Pan Am pilot, doctor, and legal prosecutor. An FBI agent makes it his mission to put him behind bars. But Frank not only eludes capture, he revels in the pursuit.Written by
At the Miami airport, Checker cabs with impact absorbing bumpers are seen. Impact absorbing bumpers did not appear on cars until late 1972 (for the 1973 model year.) The cabs are at least 1974 models, when impact absorbing bumpers for both the front and back of the car were required. See more »
Frank Abagnale, Jr.:
Brenda, I don't want to lie to you anymore. All right? I'm not a doctor. I never went to medical school. I'm not a lawyer, or a Harvard graduate, or a Lutheran. Brenda, I ran away from home a year and a half ago when I was 16.
Frank? Frank? You're not a Lutheran?
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In the closing credits, Brian Howe is listed as playing "Tom Fox" and Frank John Hughes is listed as playing "Earl Amdursky". However in the film, Howe played Amdursky and Hughes played Fox. However, this was corrected for the DVD release. See more »
In the French language version of the film, Frank teaches his high school Spanish class instead of French. See more »
CATCH ME IF YOU CAN (2002) **** Leonardo DiCaprio, Tom Hanks, Christopher Walken, Martin Sheen, Nathalie Baye, Amy Adams, James Brolin, Frank John Hughes, Brian Howe, John Finn, Jennifer Garner. DiCaprio gives a grandly charming performance as Frank Abagnale, Jr. a teenager who adopted the professional guises of airplane pilot, physician and lawyer to front his check kiting schematic modus operandi during the 1960s and eventually making the FBI's most wanted list by bilking millions until his capture and imprisonment. Based on Abagnale's best-selling memoir and adapted with lean storytelling by Jeff Nathanson, the film never lets up in the giddy cat-and-mouse/Road Runner/Wile E. Coyote relationship between fugitive DiCaprio and amalgamated FBI square Hanks (replete with thick as clam chowder Boston accent, dorky specs and porkpie hat) one step behind his two-steps ahead prey and a unique dynamic of a father/son esthetic. Walken gives an Oscar worthy supporting turn as the elder Abagnale whose financial woes and tanglement with the IRS acts as his son's catalyst. Once again filmmaker Steven Spielberg makes popular entertainment into a work of art.
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