A true story about Frank Abagnale Jr. who, before his 19th birthday, successfully conned millions of dollars worth of checks as a Pan Am pilot, doctor, and legal prosecutor. An FBI agent makes it his mission to put him behind bars. But Frank not only eludes capture, he revels in the pursuit.Written by
When Frank presses a check in the Bible to adhere the Pan-Am sticker he opens to 1 Samuel 27. Ironically this chapter tells of David fleeing to Achish at Gath. See more »
When Frank is entering the Miami Int. Airport with the girls. At curb side the girls are different once they are inside the air port and walking the lobby. See more »
Our unknown subject is a paperhanger who started working on the East Coast. In the last few weeks this unsub has developed a new form of check fraud which I'm calling "the float". What he's doing is opening checking accounts at various banks then chaning the MICR ink routing numbers at the bottom of those checks. Next slide, please. This is a map of the 12 banks of the U.S. Federal Reserve. Slide. MICR scanners at every bank read these numbers at the bottom of the check - slide - and they ship ...
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During the first thirty seconds of the credits we hear the FBI typewriters. See more »
In the French language version of the film, Frank teaches his high school Spanish class instead of French. See more »
CATCH ME IF YOU CAN (2002) **** Leonardo DiCaprio, Tom Hanks, Christopher Walken, Martin Sheen, Nathalie Baye, Amy Adams, James Brolin, Frank John Hughes, Brian Howe, John Finn, Jennifer Garner. DiCaprio gives a grandly charming performance as Frank Abagnale, Jr. a teenager who adopted the professional guises of airplane pilot, physician and lawyer to front his check kiting schematic modus operandi during the 1960s and eventually making the FBI's most wanted list by bilking millions until his capture and imprisonment. Based on Abagnale's best-selling memoir and adapted with lean storytelling by Jeff Nathanson, the film never lets up in the giddy cat-and-mouse/Road Runner/Wile E. Coyote relationship between fugitive DiCaprio and amalgamated FBI square Hanks (replete with thick as clam chowder Boston accent, dorky specs and porkpie hat) one step behind his two-steps ahead prey and a unique dynamic of a father/son esthetic. Walken gives an Oscar worthy supporting turn as the elder Abagnale whose financial woes and tanglement with the IRS acts as his son's catalyst. Once again filmmaker Steven Spielberg makes popular entertainment into a work of art.
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