Holden and Banky are comic book artists. Everything's going good for them until they meet Alyssa, also a comic book artist. Holden falls for her, but his hopes are crushed when he finds out she's a lesbian.
Joey Lauren Adams,
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
Jay and Silent Bob Strike Back is a tale of adventure on the open road. When Dante and Randal (of Clerks fame) get a restraining order to keep the punchy Jay and his hetero life-mate, Silent Bob, from selling drugs in front of the Quick Stop convenience store, their lives are suddenly empty. They find new purpose when their friend, Brodie, informs them a movie is being made featuring two infamous characters based on their likenesses. After visiting one of the creators of the Bluntman and Chronic, Holden McNeil, they set out to get what fat movie cash they deserve and hopefully put an end to people slandering them on the Internet. Along the way, they learn the rules of the road from a hitchhiking George Carlin, ride with a group of gorgeous jewel thieves, and incur the wrath of a hapless wildlife marshal for liberating an orangutan named Suzanne. The quest takes them from New Jersey to Hollywood where a showdown involving the police, the jewel thieves, and the Bluntman and Chronic ...Written by
At one point, Seth Green was considered to play "Jay" in the movie-within-a-movie which Jay and Bob are trying to stop. This is an inside joke. Gramercy Pictures didn't want Jason Mewes to reprise his role as Jay in Mallrats (1995), and, up until the first day of shooting, tried to replace him with Green. See more »
The news reporter says that they don't know what Jay and Silent Bob look like, but a video of them was previously shown on the news so they do actually know what they look like. See more »
Silent Bob's Mother:
Bobby Boy, stay here while mommy picks up the free cheese, kay? Here, this will keep the sun out of your eyes.
[puts a baseball cap on his head backwards]
Silent Bob's Mother:
You be good, now.
[walks in store, then Jay and his Mom arrive]
Alright, don't you fuckin' move you little shit machine. Your Momma's going to try to score.
What the hell? 'Scuse me. Who's watching these babies?
Uh... the fat one's watchin the little one?
Oh yeah, nice parenting. Leave 'em out here like that and see what happens.
[...] See more »
Near the end of the credits, it says: How's our driving? Let us know at www.viewaskew.com See more »
Viewers of the R1 DVD version who choose the French language option see a different version of the opening credits, with French text substituted, though the title of the film remains in English. See more »
Written by Jon Bon Jovi, Richie Sambora, Desmond Child
Performed by Bon Jovi
Used by Universal-Polygram International Publishing, Bon Jovi Publishing, Aggressive Music EMI April Music Inc.,
Desmobile Music (ASCAP)
Courtesy of The Island Def Jam Music Group, under license from Universal Music Enterprises See more »
CU Film Critic takes on "Jay and Silent Bob Strike Back."
Whether or not you enjoy `Jay and Silent Bob Strike Back' is going to depend a lot on whether or not you enjoy director Kevin Smith. I, for one, think the guy is a genius. If you don't mind my lauding his name, read on. First, a little background for the uninitiated.
Kevin Smith's movies (Clerks, Mallrats, Chasing Amy, Dogma, and now JSBSB) are a world created by the director himself, in the sense that all are interconnected by characters, plot points, and subtle references. The one constant, though, is the entity known as Jay and Silent Bob, a pair of pot dealers who have more or less spent their entire lives standing in front of the Quik-Stop convenience store. Jay (Jason Mewes) is the long-haired guy we all knew in high school, his endless stream of four-letter epithets almost endearing because the goofy guy just doesn't know any better. Silent Bob (played by director Kevin Smith), Jay's self-described `hetero life-mate' stands by without speaking a word and provides some sort of moral counterpoint for the duo.
In Smith's `Chasing Amy,' Banky and Holden (Jason Lee and Ben Affleck, respectively) created a comic book entitled `Bluntman and Chronic,' based on their real-life buddies Jay and Silent Bob. Fast-forward to `Jay and Silent Bob Strike Back.'
Banky has sold the rights to his comic to Miramax pictures, leaving Jay and Silent Bob in the dark about the business deal. Jay and Bob, with help from Holden, discover via the Internet (`What's the Internet?' asks Jay) that a movie based on them is about to start production. Realizing that they won't see a dime of the money, and even more upset by their defamation on Internet message boards, they decide to truck across the country to stop the film from being produced.
It's important to note that while the comedy is crude, slapstick, and even resorts to fart jokes, it's not dumb comedy, it's satire at it's finest, reminiscent of such self-deprecating masterpieces as `Pee-Wee's Big Adventure' and `Blazing Saddles.' After the fairly serious `Chasing Amy' and the spiritually overtoned `Dogma,' we see that Smith has decided to get together with his buddies and put together one big inside joke. Fortunately, he's decided to let a few of us in on it. The viewer's enjoyment of the movie is going to depend completely on his or her knowledge of Smith's previous films and characters.
Smith's friends show up in cameos, from Chris Rock to Will Ferrell to Alanis Morrissette to Carrie Fisher to Mark Hamill (Smith is an infamous Star Wars fanatic). You can literally see a man's childhood dream coming true when at one point, Smith's Bob gets to carry on a lightsaber duel with Hamill.
Local interest: In one of the many subplots, a group of female jewel thieves bring Jay and Silent Bob to our very own Boulder, Colorado, to steal a monkey from a medical testing facility. `Jay and Silent Bob Strike Back' is a comedy, and doesn't try to be anything else. The only thing I felt was missing was one of Jason Lee's inspired monologues bitterly bemoaning the state of society. Some of Shannon Elizabeth's screen time could have been cut, I felt, in favor of some trademark Smith dialogue.
Smith now intends to focus his time on more dramatic pursuits, and we are given this as the fifth and last film in his so-called `Jersey Trilogy.' The bottom line is, Smith loves his fans, and this film was created for the loyal. A fitting send-off for Jay and Silent Bob, this film gets an `A-.'
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