The comic "Bluntman and Chronic" is based on real-life stoners Jay and Silent Bob, so when they get no profit from a big-screen adaptation, they set out to wreck the movie.
An abortion clinic worker with a special heritage is called upon to save the existence of humanity from being negated by two renegade angels trying to exploit a loop-hole and reenter Heaven.
Holden and Banky are comic book artists. Everything's going good for them until they meet Alyssa, also a comic book artist. Holden falls for her, but his hopes are crushed when he finds out she's a lesbian.
Director:
Kevin Smith
Stars:
Ben Affleck,
Joey Lauren Adams,
Ethan Suplee
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
Director:
Kevin Smith
Stars:
Seth Rogen,
Elizabeth Banks,
Craig Robinson
Set in Middle America, a group of teens receive an online invitation for sex, though they soon encounter fundamentalists with a much more sinister agenda.
Dr. Evil is back and has invented a new time machine that allows him to go back to the 1960s and steal Austin Powers' mojo, inadvertently leaving him "shagless".
Jay and Silent Bob Strike Back is a tale of adventure on the open road. When Dante and Randal (of Clerks fame) get a restraining order to keep the punchy Jay and his hetero life-mate, Silent Bob, from selling drugs in front of the Quick Stop convenience store, their lives are suddenly empty. They find new purpose when their friend, Brodie, informs them a movie is being made featuring two infamous characters based on their likenesses. After visiting one of the creators of the Bluntman and Chronic, Holden McNeil, they set out to get what fat movie cash they deserve and hopefully put an end to people slandering them on the Internet. Along the way, they learn the rules of the road from a hitchhiking George Carlin, ride with a group of gorgeous jewel thieves, and incur the wrath of a hapless wildlife marshal for liberating an orangutan named Suzanne. The quest takes them from New Jersey to Hollywood where a showdown involving the police, the jewel thieves, and the Bluntman and Chronic ...Written by
Lordship
Seann William Scott and Ali Larter both starred in Final Destination (2000). See more »
Goofs
After the animal rescue, the van that Jay and Silent Bob traveled in blows up. You can clearly see the van door get blown off and then hit an invisible wall and bounce back rather than hit the police car that is parked next to it. See more »
Quotes
[first lines]
Silent Bob's Mother:
Bobby Boy, stay here while mommy picks up the free cheese, kay? Here, this will keep the sun out of your eyes.
[puts a baseball cap on his head backwards]
Silent Bob's Mother:
You be good, now.
[walks in store, then Jay and his Mom arrive]
Jay's Mother:
Alright, don't you fuckin' move you little shit machine. Your Momma's going to try to score.
Passerby:
What the hell? 'Scuse me. Who's watching these babies?
Jay's Mother:
Uh... the fat one's watchin the little one?
Passerby:
Oh yeah, nice parenting. Leave 'em out here like that and see what happens.
Jay's Mother:
...
[...] See more »
Crazy Credits
At the start of the film, the title logo includes the words "View Askew", in the same placement as the words "Star Wars" appeared on the title logo for Empire Strikes Back, The (1980). See more »
Alternate Versions
Kevin Smith's film festival, Vulgarthon 2002, included the deleted scenes which are shown on the DVD, they include:
An ABC joke in the Quick Stop
Another appearance by the "Two packs of wraps" kids.
A scene in the stash where Brodie interacts with a customer
A scene in the stash where Brodie impersonates Jay
A Chasing Amy in-joke in Holden's apartment.
A scene where Holden shows Jay and Bob a site called donkey-show.com
A cut scene of Jay and Bob on the bus to Hollywood
More of Jay with the nun
An alternate, filthier take of the Scooby Doo scene
An small part in the Mooby fast food joint where Jay reads an E-mail on moviepoopshoot.com
More of the scene in the Van where Brent sings
A scene between Brent and a CGI created sheep
A scene where Jay and Bob try to lean on the wall of the store
More of the scene in the store and a scene of Jay singing
A small scene of the jewel thieves getting dressed
A alternate introduction to Willenholly
More of Willenholly at the scene of the crime
More of the news report with Willenholly including a scene at the Stash
A scene where Jay talks to hookers in Hollywood
More of the scene on the balcony with the girls
More of Justice escaping with the diamonds
A Mallrats reference on the Scream 3 set
A scene where Jay and Bob watch a scene of Daredevil being shot
More on the set of Bluntman and Chronic
More of Banky and Hopper at the premiere; this scene reveals that Banky is gay and also includes the reappearance of Scott Mosier as the "tracer" guy from Chasing Amy.
Too Much Heaven
Written by Barry Gibb, Maurice Gibb and Robin Gibb
Performed by The Bee Gees
Used by permission of Unichappell Music Inc. (BMI)
Courtesy of Polydor Records Ltd. (UK)
Under license from Universal Music Enterprises See more »
Whether or not you enjoy `Jay and Silent Bob Strike Back' is going to depend a lot on whether or not you enjoy director Kevin Smith. I, for one, think the guy is a genius. If you don't mind my lauding his name, read on. First, a little background for the uninitiated.
Kevin Smith's movies (Clerks, Mallrats, Chasing Amy, Dogma, and now JSBSB) are a world created by the director himself, in the sense that all are interconnected by characters, plot points, and subtle references. The one constant, though, is the entity known as Jay and Silent Bob, a pair of pot dealers who have more or less spent their entire lives standing in front of the Quik-Stop convenience store. Jay (Jason Mewes) is the long-haired guy we all knew in high school, his endless stream of four-letter epithets almost endearing because the goofy guy just doesn't know any better. Silent Bob (played by director Kevin Smith), Jay's self-described `hetero life-mate' stands by without speaking a word and provides some sort of moral counterpoint for the duo.
In Smith's `Chasing Amy,' Banky and Holden (Jason Lee and Ben Affleck, respectively) created a comic book entitled `Bluntman and Chronic,' based on their real-life buddies Jay and Silent Bob. Fast-forward to `Jay and Silent Bob Strike Back.'
Banky has sold the rights to his comic to Miramax pictures, leaving Jay and Silent Bob in the dark about the business deal. Jay and Bob, with help from Holden, discover via the Internet (`What's the Internet?' asks Jay) that a movie based on them is about to start production. Realizing that they won't see a dime of the money, and even more upset by their defamation on Internet message boards, they decide to truck across the country to stop the film from being produced.
It's important to note that while the comedy is crude, slapstick, and even resorts to fart jokes, it's not dumb comedy, it's satire at it's finest, reminiscent of such self-deprecating masterpieces as `Pee-Wee's Big Adventure' and `Blazing Saddles.' After the fairly serious `Chasing Amy' and the spiritually overtoned `Dogma,' we see that Smith has decided to get together with his buddies and put together one big inside joke. Fortunately, he's decided to let a few of us in on it. The viewer's enjoyment of the movie is going to depend completely on his or her knowledge of Smith's previous films and characters.
Smith's friends show up in cameos, from Chris Rock to Will Ferrell to Alanis Morrissette to Carrie Fisher to Mark Hamill (Smith is an infamous Star Wars fanatic). You can literally see a man's childhood dream coming true when at one point, Smith's Bob gets to carry on a lightsaber duel with Hamill.
Local interest: In one of the many subplots, a group of female jewel thieves bring Jay and Silent Bob to our very own Boulder, Colorado, to steal a monkey from a medical testing facility. `Jay and Silent Bob Strike Back' is a comedy, and doesn't try to be anything else. The only thing I felt was missing was one of Jason Lee's inspired monologues bitterly bemoaning the state of society. Some of Shannon Elizabeth's screen time could have been cut, I felt, in favor of some trademark Smith dialogue.
Smith now intends to focus his time on more dramatic pursuits, and we are given this as the fifth and last film in his so-called `Jersey Trilogy.' The bottom line is, Smith loves his fans, and this film was created for the loyal. A fitting send-off for Jay and Silent Bob, this film gets an `A-.'
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If you were around in the early aughts, you might've had the same reaction. Emma Greenwell of the new STARZ series lets us in on her "Fleabag" fandom and more.
Whether or not you enjoy `Jay and Silent Bob Strike Back' is going to depend a lot on whether or not you enjoy director Kevin Smith. I, for one, think the guy is a genius. If you don't mind my lauding his name, read on. First, a little background for the uninitiated.
Kevin Smith's movies (Clerks, Mallrats, Chasing Amy, Dogma, and now JSBSB) are a world created by the director himself, in the sense that all are interconnected by characters, plot points, and subtle references. The one constant, though, is the entity known as Jay and Silent Bob, a pair of pot dealers who have more or less spent their entire lives standing in front of the Quik-Stop convenience store. Jay (Jason Mewes) is the long-haired guy we all knew in high school, his endless stream of four-letter epithets almost endearing because the goofy guy just doesn't know any better. Silent Bob (played by director Kevin Smith), Jay's self-described `hetero life-mate' stands by without speaking a word and provides some sort of moral counterpoint for the duo.
In Smith's `Chasing Amy,' Banky and Holden (Jason Lee and Ben Affleck, respectively) created a comic book entitled `Bluntman and Chronic,' based on their real-life buddies Jay and Silent Bob. Fast-forward to `Jay and Silent Bob Strike Back.'
Banky has sold the rights to his comic to Miramax pictures, leaving Jay and Silent Bob in the dark about the business deal. Jay and Bob, with help from Holden, discover via the Internet (`What's the Internet?' asks Jay) that a movie based on them is about to start production. Realizing that they won't see a dime of the money, and even more upset by their defamation on Internet message boards, they decide to truck across the country to stop the film from being produced.
It's important to note that while the comedy is crude, slapstick, and even resorts to fart jokes, it's not dumb comedy, it's satire at it's finest, reminiscent of such self-deprecating masterpieces as `Pee-Wee's Big Adventure' and `Blazing Saddles.' After the fairly serious `Chasing Amy' and the spiritually overtoned `Dogma,' we see that Smith has decided to get together with his buddies and put together one big inside joke. Fortunately, he's decided to let a few of us in on it. The viewer's enjoyment of the movie is going to depend completely on his or her knowledge of Smith's previous films and characters.
Smith's friends show up in cameos, from Chris Rock to Will Ferrell to Alanis Morrissette to Carrie Fisher to Mark Hamill (Smith is an infamous Star Wars fanatic). You can literally see a man's childhood dream coming true when at one point, Smith's Bob gets to carry on a lightsaber duel with Hamill.
Local interest: In one of the many subplots, a group of female jewel thieves bring Jay and Silent Bob to our very own Boulder, Colorado, to steal a monkey from a medical testing facility. `Jay and Silent Bob Strike Back' is a comedy, and doesn't try to be anything else. The only thing I felt was missing was one of Jason Lee's inspired monologues bitterly bemoaning the state of society. Some of Shannon Elizabeth's screen time could have been cut, I felt, in favor of some trademark Smith dialogue.
Smith now intends to focus his time on more dramatic pursuits, and we are given this as the fifth and last film in his so-called `Jersey Trilogy.' The bottom line is, Smith loves his fans, and this film was created for the loyal. A fitting send-off for Jay and Silent Bob, this film gets an `A-.'