Chronicles the lives of three generations of the upper-middle-class British family, the Forsytes, from the 1870s to 1920.Chronicles the lives of three generations of the upper-middle-class British family, the Forsytes, from the 1870s to 1920.Chronicles the lives of three generations of the upper-middle-class British family, the Forsytes, from the 1870s to 1920.
- Won 1 BAFTA Award
- 2 wins & 4 nominations total
Videos16
Storyline
- Genres
- Certificate
- K-11
- Parents guide
Did you know
- TriviaRupert Graves (as Young Jolyon) and Gillian Kearney (as June) play father and daughter, but there is actually just under nine years difference in their ages.
- Quotes
Emily: The last time I saw that expression on your face, you were Val's age.
Soames Forsyte: Mother!
Emily: You pestered us for months for that kitten. What was it? Six weeks old? You dressed it like a doll, fed it until it was sick, and smothered it.
Soames Forsyte: I loved it!
Emily: That's what I thought. I should have whipped you. I should have taught you not to love like that. With all your heart.
Soames Forsyte: Mama...
Emily: Yes, it was my fault. You feel things too much. You always have.
- ConnectionsFeatured in The Best of Masterpiece Theatre (2007)
- SoundtracksIrene's Song
(End titles music)
Music by Geoffrey Burgon
Lyrics by Jacqueline Kroft
Performed by Bryn Terfel
One previous contributor said that he found himself almost liking Soames which 'we were not supposed to do'. Is that right? Galsworthy intended The Forsytes to be representative of the upper middle class with some bad aspects - arrogance, lack of sentiment, conscious always of their respectability - but also with a positive side - sturdy, determined, ambitious, but ultimately concerned with ownership and property. Soames is an extreme example of his kind, to the extent that he regards people - especially his wife - as potential property. Irene, on the other hand, represents the new force which, along with the effects of WWI and the rise of the Welfare State, nationalisation etc will soon overthrow the old order.
Superficially at least, Soames is the villain. He appears to terrorise his wife, physically abuses her and more. However, is there another side to this? Irene marries him quite cynically for materialistic reasons. It's not merely a question of 'not loving' him. He positively makes her flesh creep right from the start. We are given the idea that she is forced to marry him by her stepmother and by her poverty. Force her?? As the story goes forward, we see that she is a strong character - no-one can force her to do anything. Her poverty? She has £50 per annum from her father. This might not seem a lot, but it was about what an artisan earned in a year at that time (on which he was expected to keep a family). Despite his treating her as property, Soames does love Irene in his way and he does try his best to give her what she wants. In return she is openly unfaithful to him, denies him children and even conjugal rights. As regards his bad treatment of her, she certainly returns the compliment in kind. She could be looked on as something of a vampire - she sucks the life force from Soames and old Jolyan and wantonly destroys the happiness of her friend June and Bossiney (though admittedly he goes along willingly). As regards her own son her hatred of Soames tempers her dislike of Fleur so even her son is badly affected by her force of character and neurosis.
I think Galsworthy, as well as writing a simple commentary on Edwardian and Victorian life was also trying to divide his readers into factions - the pro-Soames camp who like the old ways, and the pro-Irene (the 'new woman' camp) who wanted change.
Whatever, I have to congratulate Gina McKee. She carried off that complex character of Irene so well. Her enigmatic Mona Lisa smile, did it display goodness? Or the opposite? I'm still not sure
- stuart-halliday
- Sep 16, 2010
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- The Forsyte Saga
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- See more company credits at IMDbPro
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