Incarcerated and charged with murder, David Aames Jr. is telling the story of how he got to where he is to McCabe, the police psychologist. That story includes: being the 51% shareholder of a major publishing firm, which he inherited from his long deceased parents; the firm's board, appointed by David Aames Sr., being the 49% shareholders who would probably like to see him gone as they see him as being too irresponsible and immature to run the company; his best bro friendship with author, Brian Shelby; his "friends with benefits" relationship with Julie Gianni, who saw their relationship in a slightly different light; his budding romance with Sofia Serrano, who Brian brought to David's party as his own date and who Brian saw as his own possible life mate; and being in an accident which disfigured his face and killed the person who caused the accident. But as the story proceeds, David isn't sure what is real and what is a dream/nightmare as many facets of the story are incompatible to ...Written by
David refers to Brian's speech as the "sweet and sour speech" even though it goes, "Without the bitter, baby, the sweet ain't as sweet". See more »
When David goes to see Sofia for the first time after the accident, her ponytail is hanging in front of her shoulder. In the very next shot, it's hanging down her back. See more »
Open your eyes.
Open your eyes. Open your eyes. Open your eyes. Open your eyes. Open you...
[David wakes up and pushes the snooze button on his alarm]
See more »
Thanks to Conan O'Brien and all at Late Night. See more »
The 2015 Blu-Ray release includes an alternate ending version with a vastly expanded ending. While the events lead to the same conclusion, there are alternate takes and additional scenes (including the scene of David shooting the police officer). See more »
Written and Performed by Jeff Buckley
Courtesy of Columbia Records
by arrangement with Sony Music Licensing See more »
What a mindblower.
There is not a single movie that blew my mind more than Vanilla Sky, even after watching it for the second or maybe third time. Until half an hour passed, you understand almost everything that is happening, but then you get lost on purpose, the director wants you to get lost, just like Tom gets lost in his life. He drives you left and right, up and down, your starting to lose your patience with the movie and then, pop, your back in the driving seat again, why ?, because wow, you just understood something, you connected a few puzzling scenes and your feeling confident about the movie again. You feel for Tom, you are feeling sad like all of that is happening to you, not in some movie that already lost you a few times, but managed to get you back in the last moment. The ending explains it all, makes everything so perfectly clear, but many things leave you feeling pointless about the movie now, and that is why I don't like the ending. It is to sci-fi, to unreal and to supernatural to be implemented as an ending for this beauty.. but I guess there was not a better option to end the movie then this one...
15 of 18 people found this review helpful.
Was this review helpful to you?
| Report this