Lantana (2001)

The relationships of four couples unravel after the discovery of a young woman's body in Lantana bush in suburban Sydney.

Director:

Ray Lawrence

Writers:

Andrew Bovell (play), Andrew Bovell (screenplay)

Stars:

Anthony LaPaglia, Geoffrey Rush, Rachael Blake

36 wins & 22 nominations.

Cast

Cast overview, first billed only:
Anthony LaPaglia	...	Leon
Rachael Blake	...	Jane
Kerry Armstrong	...	Sonja
Manu Bennett	...	Steve (as Jon Bennett)
Melissa Martinez	...	Lisa
Owen McKenna	...	Old Man in Pyjamas
Nicholas Cooper	...	Sam
Marc Dwyer	...	Dylan
Puven Pather	...	Drug Dealer
Lionel Tozer	...	Police Officer
Glenn Suter	...	Police Officer
Leah Purcell	...	Claudia
Barbara Hershey	...	Valerie
Natasha Guthrie	...	Young Girl
James Cullington	...	Man at Book Launch

Storyline

Trust. A dead body in bracken. A cop cheats on his unhappy wife who, in secret, sees a psychiatrist whose own marriage is corroded by grief: she thinks her husband is having an affair with a gay patient of hers. The cop's lover, Jane, is recently separated, and her neighbors - a couple with children - include a muscular unemployed man. Late one night, the doctor skids off a back road, finds a call box, and tries in vain to reach her husband. She sees headlights and flags down the driver. Later that night, Jane sees her neighbor park his truck and throw something into the lantana in a vacant lot. It's a woman's shoe. Unraveling the mystery lays bare five couples.

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Plot Keywords:

adulterous wife | lust | scantily clad female | rear entry sex | nylons | 

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Taglines:

love is the greatest mystery

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Genres:

Drama | Mystery | Romance

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Motion Picture Rating (MPAA)

Rated R for language and sexuality

Details

Official Sites:

Lions Gate Films [United States]

Country:

Australia Germany

Language:

English

Release Date:

8 March 2002 (USA)

Also Known As:

Лантана

Filming Locations:

Balmain, Sydney, New South Wales, Australia

Box Office

Opening Weekend:

AUD 430,696 (Australia), 6 October 2001

Opening Weekend USA:

$66,701, 16 December 2001, Limited Release

Gross USA:

$4,460,426, 21 April 2002

Company Credits

Production Co:

MBP (Germany), Jan Chapman Productions, Australian Film Finance Corporation (AFFC)

Technical Specs

Runtime:

121 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The first film to win all of the top six categories of the Australian Film Institute (AFI) awards: best picture, best director, best actress, best actor, best supporting actress, best supporting actor. It also won for best adapted screenplay. This record remained unbroken until all 13 AFI categories were swept by Somersault (2004).

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Goofs

During the conversation between Leon and John on John's deck, the water level and position of the pitcher changes.

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Quotes

Leon Zat: I tell my wife everything.
John Knox: That suprises me.
Leon Zat: Why?
John Knox: Most men hold something back.

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Crazy Credits

Grateful acknowledgement of assistance to all our families

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Connections

Edited into Terror Nullius (2018)

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Soundtracks

Respeta Mi Tambo
(1997)
Written by Pablo Justiz
Ahi-Nama Music - Musica Unica Publishing
Licensed from Universal Music Publishing Pty. Ltd.
Performed by Los Naranjos
Courtesy of Ahi-Nama Music

User Reviews

Something close to a masterpiece

In this starkly realistic examination of love and infidelity among the thirtysomething crowd from down under we learn that you may desire to cheat on your spouse, but it's better if you don't.

Leon Zat, a police detective played with an original and striking demeanor by Anthony LaPaglia, cheats on his wife and finds that his adultery compromises not only his marriage but his performance on the job. He becomes irritable and flies off the handle at things of little importance, and becomes consumed with guilt.

He is not alone. The marriage of John Knox (Geoffrey Rush) and psychiatrist Valerie Somers (Barbara Hershey) is falling apart as Knox seeks something from the outside and Somers is torn apart with the suspicion that he is having a homosexual affair, perhaps with one of her clients. Meanwhile Jane O'May (Zat's adulteress played by Rachael Blake) finds that she needs a man, or maybe two, other than her estranged husband. Even Sonja Zat (Kerry Armstrong) feels the pressure and yearns to feel attractive, perhaps with younger men.

More than halfway through we have an apparent murder and an investigation during the course of which some of the adulteries come to light and cause the participants to examine themselves and their lives closely.

Andrew Dovell wrote the subtle, richly attired script, full of penetrating dialogue and an uncompromising veracity, adapting it from his play Speaking in Tongues. Ray Lawrence directed in an unusual but compelling manner in which the scenes are sharply focused and cut to linger in our minds. Again and again I was startled with just how exactly right was something a character said or did. Lawrence's exacting attention to detail gives the film a textured and deeply layered feel so that one has the sense of real life fully lived. The cast is uniformly excellent although LaPaglia stands out because of his most demanding role. His performance is one of the best I have seen in recent years. The only weakness in the film is a somewhat lethargic start, partially caused by Lawrence's cinéma vérité scene construction and editing. What he likes to do is lead us to a realization along with the characters and then punctuate the experience by lingering on the scene, or in other cases by cutting quickly away. Often what other directors might show, he leaves to our imagination, and at other times he shows something seemingly trivial which nonetheless stays in our mind. John Knox's affair, for example, is not shown. Jane O'May and her husband's reconciliation is left to our mind's eye. Yet the scene with Valerie Somers in the lighted telephone booth (with graffiti) is shown at length and then what happens next is not. These are interesting directorial choices.

The ending comes upon us, as it sometimes should, unexpectedly, but then resonates so that we can see and feel the resolution. Not everything is tied up. Again we are left in some cases to use our own imagination.

This original film, one of the best of the new millennium I have seen, stayed with me long after they ran the closing credits. It is well worth the two hours.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)