Londoner Adam Jones is stuck in a dead end job; lives alone with his cat and spends his free time obsessing over the latest conspiracy theories on the Internet. Taking an experimental drug ... See full summary »
Re-formed by a coded message to their web site, a group of animal rights activists set off to free an imprisoned colleague from a terrifying ordeal. Their rescue mission leads them to a ... See full summary »
Unlikely friends in a melting pot of confusion. Simon Murray fights for the French Foreign Legion. Pascal Dupont fights for himself. War torn men question honour, hope, morality...because you can desert everything...except yourself.
Ray 'Harley' Davidson is a hustler. With flash clothes and a fast mouth, Harley lives life in the fast lane. With his passion for all things gambling, money runs like water through Harley's... See full summary »
During World War II, four Britons tunnel out of a German POW camp. One is killed, two are recaptured and one escapes. Scottish Corporal Nicholas McGrade, the lone escapee, is a slacker and ... See full summary »
Long ago in the Iron Age, a shadow loomed over a lonely village. For generations, the village youths are stolen from their families and delivered as sacrifice to a mythical beast - the ... See full summary »
Michelle Van Der Water,
Sex and love. Some seek it, some need it, some spurn it and some pay for it, but we're all involved in it. Set on one afternoon on Hampstead Heath, London, the film investigates the minutiae of seven couples. What makes us tick?
In 14th-century England, a young monk breaks his vow of chastity and flees the wrath of his bishop and fellow monks. A fugitive priest, he then witnesses the murder of a traveling performer--and subsequently, the mourning of actor by his fellow troupe members. He eventually becomes initiated into the troupe as a player, replacing the murdered man. They travel from town to town performing their standard morality play. They arrive in a town where a boy has been killed and a young deaf-mute girl has been imprisoned for the crime--sentenced to death for witchcraft and murder. Discarding the expected bible stories, the actors stage a performance based on the crime. Through the performance of the play, they discover that the townspeople know the young woman did not, in fact, commit the murder. The stage becomes a place where vital human truth is told. Thus, simultaneously, the fugitive priest comes to terms with his own crime and makes a powerful sacrifice, thereby redeeming himself.Written by
Sujit R. Varma
The troupe of actors is heading north, as they tell Nicholas at the campfire, but when they come to a collapsed bridge shortly afterwards and debate whether to go west or east along the river, they point to their right as being west, which is the wrong way round. See more »
Seek those things that are above, not those things that are upon the earth.
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The Reckoning really is a medieval thriller. Most of the people you ask what do you expect from a medieval movie will tell you that they'll see a bunch of guys in metal armors with large swords beating the living daylight out of each other. The Reckoning is more like The Name Of The Rose (1986). All the `good' guys aren't goodie little two-shoes and all the bad guys aren't evil, malicious, arrogant royals with black hearts. There are a lot of similarities with In The Name Of The Rose (1986). A young runaway priest meets a group of actors, joins them and they set off for the nearest town. Upon arrival they witness the trial of a deaf-mute woman who supposedly killed a boy in a nearby woods. Driven by guilt (for setting a play with misinterpreted story) actors decide to take the case in their own hands and solve the murder. Cast is very good. Paul Bettany really is a good actor. He's come a long way since A Knight's Tale (2001) and A Beautiful Mind (2001). Willem Defoe is truly magnificent. He's one of those actors that can play any given part and in The Reckoning he plays the leader of the actors, with ideas way ahead of his time. Brian Cox although has little screen time cannot be unnoticed. Gina McKee sucks, and I don't know what is she doing in this movie. Probably the producers wanted a woman character in the story so writers made up Sarah. Blah. Vincent Cassel is excellent as a blue-blooded count. Not much lines dough. I strongly recommend this film, for it is one of the best thrillers that has appeared in a past few years. If you liked In The Name Of The Rose (1986), I think you'll love this film too. And vice versa.
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