As Carl Black gets the opportunity to move his family out of Chicago in hope of a better life, their arrival in Beverly Hills is timed with that city's annual purge, where all crime is legal for twelve hours.
Eva Dandridge is a very uptight young woman who constantly meddles in the affairs of her sisters and their husbands. Her in-laws, who are tired of Eva interfering in their lives, decide to ... See full summary »
Eddie is a New York limo driver and a fanatical follower of the New York Knicks professional basketball team. The team is struggling with a mediocre record when, in mid-season, "Wild Bill" ... See full summary »
Pootie Tang, the musician/actor/folk hero of the ghetto, is chronicled from his early childhood to his battles against the evil Corporate America, who try to steal his magic belt and make him sell out by endorsing addictive products to his people. Pootie must learn to find himself and defeat the evil corporation for all the young black children of America, supatime.Written by
For those of you put off by the comments below, of which a large percentage are rather negative, well don't go see it. If some of teh good revies below don't make you want to see it either, don't go see it. I'm not surprised Pootie Tang isn't a big hit, but don't expect it to fall off the face of the earth. It probably will, for about ten years, but then it'll be back.
My rationale behind this is that this movie is shades, more than just shades, it's practically a sequel, of the ridiculous Rudy Ray Moore movies of the seventies, including Dolemite and Disco Godfather. In the former, Moore played Dolemite, a successful standup comic (Created in his own standup act) who is also a pimp and crimefighter in his spare time. Pootie Tang is a character created by Louis C.K. with actor Lance Crother, who is a successful hip hop artist, who is also a ladies man and a crimefighter in his spare time. See what I'm talking about?
There are more similarities. Each film is low budget, and often quite amateurish. Both films are made by people who obviously don't have all the mechanics of filmmaking down (Dolemite's boom mike pops into shots so much it might as well have gotten a supporting cast credit, Pootie Tang features possibly THE WORST narration in the history of film). Both also have quite a bit of social satire, plus additional humor derived from the sheer stupidity of the filmmaking.
Pootie Tang is, in itself, a bad idea for a movie. Who wants to watch 80 minutes of a character who speaks in gibberish? It's a joke that's funny for 3 minutes on the Chris Rock Show, but grows very old after an hour and a half (The audience I was with was hysterical...for ten minutes. Eventually half walked out). There are some jokes that work (I liked Pootie's new hit single, and also the tense climactic standoff between Pootie and Dirty) but a lot of other material doesn't (Cameos by Andy Ricter and David Cross are totally wasted). Plus the movie doesn't know if it's a movie, a movie clip, a friend retelling something, or what. It has a bad sense of pacing and flow (Using little Batman-esque cut scenes to break stuff up) and at least a dozen head-scratch-inducing moments.
For all of these reasons, the movie will be back. Mark my words. People a decade from now will watch this movie and laugh at its lame bits, and also the smart ones. For the average viewer, it's not worth seeing. For the devoted follower of movies that are bizarre, inexplicable, and just plain silly, it might be the best out-there movie of the year.
6 of 10 people found this review helpful.
Was this review helpful to you?
| Report this