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Panic Room (2002)

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A divorced woman and her diabetic daughter take refuge in their newly-purchased house's safe room, when three men break-in, searching for a missing fortune.

Director:

David Fincher

Writer:

David Koepp
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Popularity
2,541 ( 115)
1 win & 9 nominations. See more awards »

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Cast

Complete credited cast:
Jodie Foster ... Meg Altman
Kristen Stewart ... Sarah Altman
Forest Whitaker ... Burnham
Dwight Yoakam ... Raoul
Jared Leto ... Junior
Patrick Bauchau ... Stephen Altman
Ann Magnuson ... Lydia Lynch
Ian Buchanan ... Evan Kurlander
Andrew Kevin Walker ... Sleepy Neighbor
Paul Schulze ... Officer Keeney
Mel Rodriguez ... Officer Morales
Richard Conant Richard Conant ... SWAT Cop
Paul Simon Paul Simon ... SWAT Cop
Victor Thrash Victor Thrash ... SWAT Cop
Ken Turner Ken Turner ... SWAT Cop
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Storyline

Recently divorced Meg Altman and her daughter Sarah have bought a new home in New York. On their tour around the mansion, they come across the panic room. A room so secure, that no one can get in. When three burglars break in, Meg makes a move to the panic room. But all her troubles don't stop there. The criminals know where she is, and what they require the most in the house is in that very room. Written by Film_Fan

Plot Summary | Plot Synopsis

Taglines:

It was supposed to be the safest room in the house See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

29 March 2002 (USA) See more »

Also Known As:

Safe Room See more »

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Box Office

Budget:

$48,000,000 (estimated)

Opening Weekend USA:

$30,056,751, 31 March 2002, Wide Release

Gross USA:

$96,397,334

Cumulative Worldwide Gross:

$196,397,415
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The opening credits were created by a collaboration between title design company The Picture Mill and special effects company ComputerCafe. It took them one year to complete. See more »

Goofs

Junior says that Meg had closed escrow. New York does not have an escrow system. Closing on a house is done with attorneys, with a set closing date. See more »

Quotes

Junior: How do we get into that room?
[Burnham laughs]
Junior: Hey! What is funny about this? Is this shit funny to you?
Burnham: Well, I spent the last 12 years of my life building these rooms specifically to keep out people like us.
Junior: It's all so ironic and amusing, okay? Now, how do we get in?
See more »

Crazy Credits

As long as you can read "An Indelible Picture" you can already see the credit "Jodie Foster" in the background. See more »

Connections

Referenced in Castle: Home Is Where the Heart Stops (2009) See more »

Frequently Asked Questions

See more »

User Reviews

 
Circus Performance
29 December 2004 | by A.W RichmondSee all my reviews

David Fincher is a magician of sorts, he should work in a circus. He does things with his gadgets that are quite extraordinary, but, has absolutely no clue about drama. Based on a tiny, thin, invisible script he builds a theme park ride that gets very tired very soon. All of David Fincher's films look terrific, they all have ambitious intentions but they collapse under the poverty of the scripts. "Seven" is the better one, but still, after you get over the magnificent photography, you're left with a formula used and abused for years. "Fight Club" has a first hour that makes you think in you're in for a real treat. With superb performances by Norton, Pitt and Bonham Carter and then a massive let down. "The Game" was mystical, powerful, mysterious and spine chilling for the whole first part but then... They all have that same common denominator, opportunistic, thoughtless and unimaginative writing. That alone alienates the bulk of their potential audiences. Now "Panic Room" the most blatant example of what I'm trying to convey. No matter how brilliant the camera work, where are the characters? Where is the drama? What was with the husband? What about that semi visit by the police? Unforgivable. I should advice Mr. Fincher to look at films with less gadgetry, even less ambition and take note. From William Wyler's "Desperate Hours" to David Miller's "Midnight Lace" or quite simply look at the sort of writers Alfred Hitchcock worked with, without them Mr. Hitchcock would have been a director of the past not the legendary master for all seasons.


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