Publicist Stuart Shepard finds himself trapped in a phone booth, pinned down by an extortionist's sniper rifle. Unable to leave or receive outside help, Stuart's negotiation with the caller leads to a jaw-dropping climax.
In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
Robert Downey Jr.,
As Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, he is sued by the twins who claimed he stole their idea, and by the co-founder who was later squeezed out of the business.
Jerry and Rachel are two strangers thrown together by a mysterious phone call from a woman they have never met. Threatening their lives and family, she pushes Jerry and Rachel into a series of increasingly dangerous situations, using the technology of everyday life to track and control their every move.
Recently divorced Meg Altman and her daughter Sarah have bought a new home in New York. On their tour around the mansion, they come across the panic room. A room so secure, that no one can get in. When three burglars break in, Meg makes a move to the panic room. But all her troubles don't stop there. The criminals know where she is, and what they require the most in the house is in that very room.Written by
Having just made a film with 150 locations in the shape of Fight Club (1999), David Fincher was keen to tackle something a lot simpler for his next film. See more »
When the E.S.U. (Emergency Service Unit) team enters the house and clears the bottom floor officer Keeney calls for a "bus" or ambulance to help Stephen. When E.S.U. are called to a scene an ambulance is automatically dispatched with them, there would be no need for Officer Keeney to call. See more »
Shut it... lock it... and get the fuck away from it.
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As long as you can read "An Indelible Picture" you can already see the credit "Jodie Foster" in the background. See more »
The film's VHS & HDTV release presented the film open-matte, at an aspect ratio of 1.78:1, meaning there was more picture information visible in the top and bottom of the frame than on DVD. See more »
A one-trick plot, but amazing camera, intense acting, and tightly made.
Panic Room (2002)
There are three reasons to see Panic Room. 1) The titles: understated, gorgeous, uncanny letters floating in the Manhattan cityscape. 2) The photography: camera moving like an animal, slipping between tiny spaces, swinging across rooms and through floors, inhabiting the screen like another character. 3) Forest Whitaker, again (he's so good so often it's hard to not expect a great performance).
The rest of the film is very good, directed with style and intelligence as usual by David Fincher (who did Seven and Fight Club). The plot is good, but maybe a little conventional overall, and if the details aren't completely predictable, the general flow of events is. The whole cast is quite good--Foster in a familiar embattled, determined role, and Jared Leto is an appropriately crazed, if slightly caricatured, bad guy who just wants money. Don't we all.
I saw this when it came out and was dazzled and yet disappointed by the plot. The second time, knowing the events, I was able to just watch how they unfolded, and it was much better. Expect suspense, intensity, and beautiful camera-work.
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