6.4/10
406
9 user 6 critic

Morlang (2001)

Not Rated | | Drama | 22 November 2001 (Netherlands)
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Inspired by true events, a chilling psychological drama. A couple's secret pact takes an unexpected, sinister turn.

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2 wins & 3 nominations. See more awards »

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Cast

Credited cast:
... Julius Morlang
Diana Kent ... Ellen Morlang
... Ann Morlang
Eric van der Donk ... Wim Giel
Marcel Faber ... Robert Jansen
Rest of cast listed alphabetically:
Huib Broos ... Peter
Porgy Franssen ... Doctor
Joe Gallagher ... Policeman
Freida Hand ... Custom officier
Maximo Mewe ... Spanish Gallery Owner
Nora Mullens ... Nurse 1
Paddy O'Conell ... Custom officier
Elvira Out ... Nurse 2
Derek Reid ... Custom officier
Saskia Rinsma ... Heleen
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Storyline

Julius Morlang is a successful art photographer who has moved on after the tragic suicide of his first wife, Ellen. He has found a new muse and lover in Ann, a younger version of Ellen. With the expected success of his new exhibition a near certainty, life for Morlang seems almost perfect - for now. But the past still haunts him. The voice of his dead wife appears on his answering machine - someone sends him her funeral announcement. Paranoia grows, and he is not sure whom he can trust. What is real and is imagined - and can you trust the one you love? Written by Aubrey Wiseman <Aubreys@hotmail.com>

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Genres:

Drama

Certificate:

Not Rated | See all certifications »

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Release Date:

22 November 2001 (Netherlands)  »

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Box Office

Budget:

$3,500,000 (estimated)
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Aspect Ratio:

2.35 : 1
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User Reviews

 
art to die for
7 March 2005 | by See all my reviews

This film is set on the high end of the European art world. It's a story of an artist's obsession for his wife and jealousy of a rising young artist. These two forces are what motivate Morlang to do everything he does in this film. I also question the motives of the young rising artist. This film just confirms that even though man is the most intelligent animal on the planet, he's still an animal. I can't say much more without giving it away. The cinematography was perfect; great angles, telling the story without words. I'm glad Film Movement brought this movie to the U.S.. It would've been a shame if this film went by unnoticed.


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