An aging, booze-addled father makes the trip from Montana to Nebraska with his estranged son in order to claim a million-dollar Mega Sweepstakes Marketing prize.
Two men reaching middle age with not much to show but disappointment embark on a week-long road trip through California's wine country, just as one is about to take a trip down the aisle.
Director:
Alexander Payne
Stars:
Paul Giamatti,
Thomas Haden Church,
Virginia Madsen
A high school teacher's personal life becomes complicated as he works with students during the school elections, particularly with an obsessive overachiever determined to become student body president.
Director:
Alexander Payne
Stars:
Matthew Broderick,
Reese Witherspoon,
Chris Klein
An irresponsible, drug-addicted, recently impregnated woman finds herself in the middle of an abortion debate when both parties attempt to sway her to their respective sides.
Warren Schmidt has led a safe, predictable life working in the insurance industry in Omaha, Nebr. for many years, yet now faces retirement. At the same time he is forced to take a hard look at his wife, his life and his relationship with his estranged daughter. An often hilarious series of events follow as Schmidt embarks on an unpredictable RV journey to attend his daughter's wedding in Denver.Written by
wacoastguy
Once the filmmakers bought the rights to the Louis Begley novel, they kept the title and the main character, but changed just about everything else. In the book, the main character lived in the Hamptons, and his daughter was about to marry a lawyer. One element Alexander Payne considered keeping from the novel was Warren Schmidt's anti-Semitism, which would have been kept by having Dermot Mulroney's character Randall be Jewish (as was the lawyer who Jeanie was getting ready to marry in the book), but Payne decided the movie would work better if Schmidt was not a bigot. See more »
Goofs
Warren travels to Holdrege, Nebraska, to visit his childhood home, at "12 Locust Avenue," which he discovers has been replaced by a tire store. This address does not exist, as there is no Locust Avenue in Holdrege. See more »
Afrikaan Beat
(1962)
Written and Performed by Bert Kaempfert
Courtesy of Polydor GmbH, Hamburg
Under license from Universal Music Enterprises See more »
I love Nicolson and I thought his work in this film was as good as any I have seen him do in any of his previous films. My accolades must begin with the writers for creating such a beautiful novel and script-a perfect canvas for the many fine actors in this film upon which they wove their considerable magic. There were no killings, no car chases, no violence of any kind-I'm surprised that Hollywood distributed it.
Such a slice of life-American life with it's many warts-warts that the Americans probably don't even recognize: Winnebagos like moving palaces, freeway monuments to genocide, business that consumes it's workers only to dump them unceremoniously, too much of everything that amounts to emptiness, etc., etc. The novel by Begley, upon which the film was based, illustrated this consumer emptiness brilliantly by the inclusion of the bookends to the film, the sponsorship of the Tanzanian child by Schmidt. The child's material emptiness was contrasted with Schmidt's emotional emptiness in a way America does not recognize much less watch on the screen.
The last part of the movie dealing with the marriage of Schmidt's daughter to a man who came from a diametrically opposite "new age" family was an unstated acknowledgment by his daughter that she wanted nothing of her father's values-she wanted a complete break and she was going to marry the break.
A fascinating, complex movie and I'm sorry I didn't see it much earlier.
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I love Nicolson and I thought his work in this film was as good as any I have seen him do in any of his previous films. My accolades must begin with the writers for creating such a beautiful novel and script-a perfect canvas for the many fine actors in this film upon which they wove their considerable magic. There were no killings, no car chases, no violence of any kind-I'm surprised that Hollywood distributed it.
Such a slice of life-American life with it's many warts-warts that the Americans probably don't even recognize: Winnebagos like moving palaces, freeway monuments to genocide, business that consumes it's workers only to dump them unceremoniously, too much of everything that amounts to emptiness, etc., etc. The novel by Begley, upon which the film was based, illustrated this consumer emptiness brilliantly by the inclusion of the bookends to the film, the sponsorship of the Tanzanian child by Schmidt. The child's material emptiness was contrasted with Schmidt's emotional emptiness in a way America does not recognize much less watch on the screen.
The last part of the movie dealing with the marriage of Schmidt's daughter to a man who came from a diametrically opposite "new age" family was an unstated acknowledgment by his daughter that she wanted nothing of her father's values-she wanted a complete break and she was going to marry the break.
A fascinating, complex movie and I'm sorry I didn't see it much earlier.