An aging, booze-addled father makes the trip from Montana to Nebraska with his estranged son in order to claim a million-dollar Mega Sweepstakes Marketing prize.
A high school teacher's personal life becomes complicated as he works with students during the school elections, particularly with an obsessive overachiever determined to become student body president.
Director:
Alexander Payne
Stars:
Matthew Broderick,
Reese Witherspoon,
Chris Klein
Two men reaching middle age with not much to show but disappointment embark on a week-long road trip through California's wine country, just as one is about to take a trip down the aisle.
Director:
Alexander Payne
Stars:
Paul Giamatti,
Thomas Haden Church,
Virginia Madsen
Warren Schmidt has led a safe, predictable life working in the insurance industry in Omaha, Nebr. for many years, yet now faces retirement. At the same time he is forced to take a hard look at his wife, his life and his relationship with his estranged daughter. An often hilarious series of events follow as Schmidt embarks on an unpredictable RV journey to attend his daughter's wedding in Denver.Written by
wacoastguy
The Woodmen of the World Life Insurance Society is a real organization. Jack Nicholson filmed his scenes at the company's offices, and was given a plaque making him an honorary Woodmen member. See more »
Goofs
Warren travels to Holdrege, Nebraska, to visit his childhood home, at "12 Locust Avenue," which he discovers has been replaced by a tire store. This address does not exist, as there is no Locust Avenue in Holdrege. See more »
Quotes
Warren Schmidt:
[On top of Winnebago at night talking to his dead wife]
Helen, what did you really think of me deep in your heart? Was I really the man you wanted to be with? Was I? Or were you disappointed but too nice to show it?
See more »
You Wear It Well
(1972)
Written by Martin Quittenton (as M. Martin Quinttenton) and Rod Stewart
Performed by Rod Stewart
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises See more »
I love Nicolson and I thought his work in this film was as good as any I have seen him do in any of his previous films. My accolades must begin with the writers for creating such a beautiful novel and script-a perfect canvas for the many fine actors in this film upon which they wove their considerable magic. There were no killings, no car chases, no violence of any kind-I'm surprised that Hollywood distributed it.
Such a slice of life-American life with it's many warts-warts that the Americans probably don't even recognize: Winnebagos like moving palaces, freeway monuments to genocide, business that consumes it's workers only to dump them unceremoniously, too much of everything that amounts to emptiness, etc., etc. The novel by Begley, upon which the film was based, illustrated this consumer emptiness brilliantly by the inclusion of the bookends to the film, the sponsorship of the Tanzanian child by Schmidt. The child's material emptiness was contrasted with Schmidt's emotional emptiness in a way America does not recognize much less watch on the screen.
The last part of the movie dealing with the marriage of Schmidt's daughter to a man who came from a diametrically opposite "new age" family was an unstated acknowledgment by his daughter that she wanted nothing of her father's values-she wanted a complete break and she was going to marry the break.
A fascinating, complex movie and I'm sorry I didn't see it much earlier.
126 of 156 people found this review helpful.
Was this review helpful to you?
| Report this
I love Nicolson and I thought his work in this film was as good as any I have seen him do in any of his previous films. My accolades must begin with the writers for creating such a beautiful novel and script-a perfect canvas for the many fine actors in this film upon which they wove their considerable magic. There were no killings, no car chases, no violence of any kind-I'm surprised that Hollywood distributed it.
Such a slice of life-American life with it's many warts-warts that the Americans probably don't even recognize: Winnebagos like moving palaces, freeway monuments to genocide, business that consumes it's workers only to dump them unceremoniously, too much of everything that amounts to emptiness, etc., etc. The novel by Begley, upon which the film was based, illustrated this consumer emptiness brilliantly by the inclusion of the bookends to the film, the sponsorship of the Tanzanian child by Schmidt. The child's material emptiness was contrasted with Schmidt's emotional emptiness in a way America does not recognize much less watch on the screen.
The last part of the movie dealing with the marriage of Schmidt's daughter to a man who came from a diametrically opposite "new age" family was an unstated acknowledgment by his daughter that she wanted nothing of her father's values-she wanted a complete break and she was going to marry the break.
A fascinating, complex movie and I'm sorry I didn't see it much earlier.