One toddler and about ten children, not yet adolescents, use a shovel, rakes, and nets to scour an eddy by the sea as fully-dressed women (hats and all) and a few men look on and give ...
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Fin de siécle elegance. A parade of sorts passes in front of a stationary camera. An ostrich pulls a cart in which two well-dressed girls sit, two mules pull a large cart full of children, ... See full summary »
Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of ... See full summary »
Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a ... See full summary »
A photographer has his camera all set up to take a gentleman's picture. The subject checks his face in a hand mirror, and the photographer poses him. Just as the photographer is about to ... See full summary »
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised, and looks into the nozzle to find out why... See full summary »
In commedia dell'arte style, an actor on a stool presents six distinct characters through speedy application of whiskers and a hat or, in one case, a wig followed by a few gestures. First ... See full summary »
The first moving shot, created by a stationary camera on a gondola in Panorama du Grand Canal vu d'un Bateau, was filmed by Alexandre Promio for Louis Lumiere. Filming Locations: Venice, Veneto, Italy. Release Date: 1896 (France).
One toddler and about ten children, not yet adolescents, use a shovel, rakes, and nets to scour an eddy by the sea as fully-dressed women (hats and all) and a few men look on and give advice. The boys are in short pants; the girls have pulled up their skirts and petticoats and stuck in their sashes. Not a clam is to be seen, although one lass checks her net a couple of times. The children's outfits (trim hats on each child and lace on each girl) suggest wealth and high society.Written by
Louis Lumiere seemed to have an innate sense of style when composing his Cinematograph shots; but that sense seems to have failed him here.
Just as he begins cranking, to film children clamming on the beach, a man in the background (possible his brother Auguste) cues a donkey cart - on the left of the screen, loaded with children, and accompanied by adults - to start up and pass in the background as it exits to the right. The children with some deference to the camera continue clamming until the film runs out. Not one of Louis' best.
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