In 1902 London, unhappily married Philip Marshall meets young Mary Gray, who is unemployed and depressed. Their deepening friendship, though physically innocent, is discovered by Philip's ... See full summary »
When successful business man Lee Warren suspects his wife is having an affair, he sets out find her lover, kill him, and make it look like suicide. Complications set in, when he finds out ... See full summary »
When a sickly Victorian woman dies suddenly, a postmortem reveals that her body contains a fatal dose of arsenic. Suspicion falls on her husband and her companion, who are lovers. Inspector... See full summary »
A secretive widower hires a governess for his children, a willful boy and impressionable girl. Strange occurrences and the governess's curiosity lead her to unlock the secrets of the mysterious and uninhabited brownstone next door.
A car plunging over a cliff kills its two occupants identified as newspaperman Lewis Forrester and actress Alison Ford (Terry Moore). Surviving Lewis are his two brothers, Tim (Robert ... See full summary »
American Gregor Stevens arrives in London searching for his brother who, unknown to him, has been convicted of a murder and is within three days of being executed. He meets Yvonne Durante, ... See full summary »
Suave supercilious Carling (Karel Stepanek) receives several callers to his isolated house, all of whom hold a grudge against him. Next morning a corpse is found, and later identified as his by one of the visitors.
An atmospheric thriller with Gothic overtones, including a villain living in an old dark house complete with underground passages, whose architect he attempted to bury alive, THE THIRD VISITOR is one of two films made in succession by veteran director Maurice Elvey for producer Ernest Gartside, the other being the slightly better known THE LATE EDWINA BLACK. It opens vividly with the electrifying music over the title credits (an unacknowledged straight lift of the first movement coda of Bruckner's 9th symphony) culminating in a striking shot of a woman, manacled against a wall with an unseen person on the verge of firing at her, as the legend WHO WAS THE THIRD VISITOR? is emblazoned across the screen. Though there is a great deal of dialogue the actors and the occasional directorial flourish such as this ensure that tedium is kept firmly at bay. Typically spirited performances ensue from Sonia Dresdel (in a rare sympathetic and at times light-hearted role) and Eleanor Summerfield as two wives who clearly don't play second fiddle to their respective husbands (Colin Gordon and Hubert Gregg), their only real match being Guy Middleton's Inspector. Film's main flaw is the risible casting of John Slater as a New York gangster.
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