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Sensitive New Age Killer (2000)


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Cast overview, first billed only:
Tyson Stein Tyson Stein ... Young Paul
Nicole Lambert Nicole Lambert ... Young Helen
Julie Turner Julie Turner ... Miss Lucy
Peter Beitans Peter Beitans ... Little Pete
Arthur Serevetas Arthur Serevetas ... Big Bazza (as Arthur Penn)
Frank Bren Frank Bren ... Colin 'The Snake' Adder
Paul Moder Paul Moder ... Paul Morris
Carolyn Bock Carolyn Bock ... Matty McKlean
Kevin Hopkins Kevin Hopkins ... George Hartley
Don Bridges ... Bob
Dawn Klingberg Dawn Klingberg ... Eva Drucker
John Wortelboer John Wortelboer ... Boy Stroking Pussy
Helen Hopkins Helen Hopkins ... Helen Morris
Emma-Rose Hillary Emma-Rose Hillary ... Emma Morris
Len Steel Len Steel ... Roger Sharkey


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Action | Comedy | Crime | Drama


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Release Date:

31 May 2001 (Australia) See more »

Also Known As:

S.N.A.K. See more »


Box Office


$1,000,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Frisson See more »
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Technical Specs


| (uncut)



Aspect Ratio:

1.85 : 1
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Did You Know?


Referenced in Running on Empty: Mark Savage (2016) See more »


A Gringo Like Me
Lyrics by Ernesto Fernal / Carol Anna Dannell
Music by Ennio Morricone
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User Reviews

Amateurish, awkward but still delirious and nutty fun.
6 June 2001 | by Mattydee74See all my reviews

Although this film is amateurish, occasionally out of sync and sometimes just awkward there remains a juvenile joy in this sort of excessive, over-the-top mania-film-making. Being a big fan of BloodLust - which was better than this film - I can't help but embrace this maddening but enjoyably chaotic slice of wannabe-cult-cinema. Its the story of a "nice" hitman with some moral backbone whose naivety threatens his undoing when he finds himself unable to complete his jobs and thus putting his family life under pressure. He is also the sex-slave of a dominatrix-like female cop who offers him the hope of a big break but refuses to loosen her grip on him. Its this films attempt to slide into the outer-mainstream with its - though warped - family focus that ultimately undoes the film. Instead of going right over the edge, SNAK halts itself from pushing the limits which a film like Bloodlust gladly embraced and smashed into deliriously. This is still fun, even if predictably referential to so many other films, and at least it has its original moments and its own oddly endearing personality.

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