7.5/10
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27 user 72 critic

Dayereh (2000)

Not Rated | | Drama | 9 September 2000 (Italy)
Various women struggle to function in the oppressively sexist society of contemporary Iran.

Director:

Jafar Panahi

Writers:

Kambuzia Partovi, Jafar Panahi (idea)

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12 wins & 6 nominations. See more awards »

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Cast

Complete credited cast:
Nargess Mamizadeh Nargess Mamizadeh ... Nargess
Maryiam Palvin Almani Maryiam Palvin Almani ... Arezou (as Maryam Parvin Almani)
Mojgan Faramarzi Mojgan Faramarzi ... Mojgan - Prostitute
Elham Saboktakin Elham Saboktakin ... Elham - Nurse
Monir Arab Monir Arab ... Monir - Ticket Seller
Maedeh Tahmasebi Maedeh Tahmasebi ... Maedeh (as Maedeh Tahmasbi)
Maryam Shayegan Maryam Shayegan ... Parveneh
Khadijeh Moradi Khadijeh Moradi
Negar Ghadyani Negar Ghadyani
Solmaz Panahi Solmaz Panahi ... Solmaz
Fereshteh Sadre Orafaiy ... Pari (as Fereshteh Sadr Orafai)
Fatemeh Naghavi Fatemeh Naghavi ... Nayer
Ataollah Moghadas Ataollah Moghadas ... Haji
Abbas Alizadeh Abbas Alizadeh ... Father of Pari
Edit

Storyline

In a hospital waiting room a woman learns her daughter, Solmaz Gholami, has just given birth. The ultrasound test had prepared the family for a boy. The baby, it turns out, is a girl. The joy the mother anticipated turns to terror for she knows her son-in-law's family will abandon her daughter. The old woman flees as the in-laws arrive. On the crowded streets of Tehran - a place where women are not permitted to stay out on their own or smoke in public - two women are also on the run. Arezou and Nargess have just been granted temporary leave from prison but they have no plans to return. They manage to scrounge together enough money for the bus trip to Nargess' hometown, but she lacks proper identification, and the police are searching everyone at the station. Meanwhile, their friend Pari has just escaped from prison in order to have an abortion. Threatened with death by her brothers, she flees from her father's house and meets with a former inmate, Elham, who is now married to a doctor... Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »
Edit

Details

Official Sites:

sourehcinema

Country:

Iran | Italy | Switzerland

Language:

Persian

Release Date:

9 September 2000 (Italy) See more »

Also Known As:

El círculo See more »

Filming Locations:

Tehran, Iran

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Box Office

Budget:

$10,000 (estimated)

Opening Weekend USA:

$22,360, 15 April 2001, Limited Release

Gross USA:

$673,780, 24 March 2002
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Jafar Panahi had to wait an entire year to get an official shooting permit. See more »

Connections

Version of Karrusel (1998) See more »

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User Reviews

 
Not much I can say that hasn't been said before, but I wanted to say it anyway.
16 January 2003 | by kameradSee all my reviews

While reading the various interviews with Jafar Panahi concerning his latest film "The Circle", I noticed that he always stresses the fact that his film is not a feminist film, but a humanist film. I'm reminded of the times I've been in a political conversation with someone and they've said "I'm no feminist but..." and then said something in defense of women's rights. Well, whether he intended it or not, Panahi has made a feminist film, because after all, feminism in its most basic form has nothing to do with hating men, but is merely a desire for the fair and equal treatment of women, and equal human rights is of course a cornerstone of humanism. I'm no scholar (and that I can say in all honesty) but yes, I would say I'm a feminist. I've never been on a march, and I've never read the works of any great feminist theorists, but to the core of my soul I believe in the equal and fair treatment of women, and if that doesn't make me a feminist I don't know what does.

Of course, all this discussion about feminism wouldn't matter if "The Circle" wasn't such a strong film. Panahi's film, almost universally praised, will receive no negative criticism here either. His use of narrative (most reviews compare the narrative style to "La Ronde" [1950], but I suppose comparisons could be made with "The Phantom of Liberty" [1974] and "Slacker" [1990], for that matter) might be perceived by some rob the characters of their individuality, but of course that is part of the point. In Iran today women are all grouped together, Panahi is saying, and they are seen as no more that a collective problem for men to deal with. Ultimately, there is nothing I can say about this film that hasn't been said before, but I wanted a chance to express my appreciation for this extraordinary myself.


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