The Piano Teacher (2001)

A young man romantically pursues his masochistic piano teacher.

Director:

Michael Haneke

Writers:

Michael Haneke, Elfriede Jelinek (novel)

Stars:

Isabelle Huppert, Annie Girardot, Benoît Magimel

Nominated for 1 BAFTA Film Award. Another 18 wins & 21 nominations.

Cast

Cast overview, first billed only:
Isabelle Huppert	...	Erika Kohut
Annie Girardot	...	The Mother
Benoît Magimel	...	Walter Klemmer
Susanne Lothar	...	Mrs. Schober
Udo Samel	...	Dr. George Blonskij
Anna Sigalevitch	...	Anna Schober
Cornelia Köndgen	...	Mme Gerda Blonskij
Thomas Weinhappel	...	Baritone
Georg Friedrich	...	Man in drive-in
Philipp Heiss	...	Naprawnik
William Mang	...	Teacher
Rudolf Melichar	...	Director
Michael Schottenberg	...	Teacher
Gabriele Schuchter	...	Margot
Dieter Berner	...	Singing teacher

Storyline

Erika Kohut is a pianist, teaching music. Schubert and Schumann are her forte, but she's not quite at concert level. She's approaching middle age, living with her mother who is domineering then submissive; Erika is a victim then combative. With her students she is severe. She visits a sex shop to watch DVDs; she walks a drive-in theater to stare at couples having sex. Walter is a self-assured student with some musical talent; he auditions for her class and is forthright in his attraction to her. She responds coldly then demands he let her lead. Next she changes the game with a letter, inviting him into her fantasies. How will he respond; how does sex have power over our other faculties?

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Plot Keywords:

sex shop | hand job | piano instructor | teacher student relationship | pianist | 

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Taglines:

Perversion at its wicked best!

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated R for aberrant sexuality including violence, and for language

Details

Country:

Austria France Germany

Language:

French German

Release Date:

5 September 2001 (France)

Also Known As:

The Piano Teacher

Filming Locations:

Austria

Box Office

Budget:

ATS70,000,000 (estimated)

Opening Weekend USA:

$29,671, 31 March 2002

Gross USA:

$1,012,069

Cumulative Worldwide Gross:

$6,765,335

Company Credits

Production Co:

Arte France Cinéma, Arte France, Bavaria Film International

Technical Specs

Runtime:

131 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The character of the mother is based on author Elfriede Jelinek's real life mother.

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Quotes

[first lines]
The Mother: Good evening, child.
Erika Kohut: Evening, mama.
The Mother: [sarcastically] Home already? I'm so happy.
Erika Kohut: I'm going.
The Mother: Not so fast.
Erika Kohut: Please. Leave me be. I'm tired.
The Mother: I can quite believe it. Your last pupil left 3 hours ago. Might I know where you've been all this time?
Erika Kohut: [trying to go to her room] Please.
The Mother: No, you don't. Not until you tell me.
[...]

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Alternate Versions

The R-rated edition from Kino makes a number of changes and omissions, removing the shots of the hardcore peep booth footage viewed by Huppert's character in the mall, as well as optically pixellating pornographic images on magazine covers in the sex shop. In addition, this version completely removes the following two sequences: -Huppert's cutting sequence in the bathtub -Magimel taking Huppert to the ground and humping her at the hockey rink. In the latter case, the film awkwardly fades out and in again in quick succession, to elide the missing footage.

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Connections

Featured in Mein Leben: Michael Haneke (2009)

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Soundtracks

Piano Trio in E flat, D.929
Franz Schubert

User Reviews

See this for Isabelle Huppert

As with all Haneke films, make your own decision--don't be swayed by what you read and if you are interested in someone using the medium of film for their own unique ends, see it yourself. Isabelle Huppert is stunning in this film--combined with Haneke, these two never pull their punches. Haneke reels us in with the lure of golden boy, Benoit Magimel, but this is an anti-romance as much as Funny Games was an anti-thriller. You'll have to force yourself to watch much of it and the catharsis is much more in the range of sustained anxiety than any kind of emotional release but it's incredibly nervy and thought provoking; Haneke continues to hold up a mirror to how desensitised Western civilization is or has become. People may turn their noses up at this but it's only taking what Solondz did in Happiness a few steps further. While grounded in reality, much of what Erika (Huppert) does can be viewed as emotional metaphor. I'm not recommending it but I wouldn't dissuade you either...it definitely divides people but given it's largely about repression--that's no surprise.