Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
Strange events happen in a small village in the north of Germany during the years before World War I, which seem to be ritual punishment. Who is responsible?
Director:
Michael Haneke
Stars:
Christian Friedel,
Ernst Jacobi,
Leonie Benesch
A young man harasses a homeless woman, another man protests, the police arrest both and the woman has to leave the country. What were their various story-lines leading up to this event?
Director:
Michael Haneke
Stars:
Juliette Binoche,
Thierry Neuvic,
Josef Bierbichler
Two violent young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.
A 14-year-old video enthusiast is so caught up in film fantasy that he can no longer relate to the real world, to such an extent that he commits murder and records an on-camera confession for his parents.
A European family who plan on escaping to Australia, seem caught up in their daily routine, only troubled by minor incidents. However, behind their apparent calm and repetitive existence, they are actually planning something sinister.
When Anna and her family arrive at their holiday home, they find it occupied by strangers. This confrontation is just the beginning of a painful learning process.
Director:
Michael Haneke
Stars:
Isabelle Huppert,
Anaïs Demoustier,
Béatrice Dalle
Three teenagers live isolated, without leaving their house, because their over-protective parents say they can only leave when their dogtooth falls out.
Director:
Yorgos Lanthimos
Stars:
Christos Stergioglou,
Michele Valley,
Angeliki Papoulia
Erika Kohut is a pianist, teaching music. Schubert and Schumann are her forte, but she's not quite at concert level. She's approaching middle age, living with her mother who is domineering then submissive; Erika is a victim then combative. With her students she is severe. She visits a sex shop to watch DVDs; she walks a drive-in theater to stare at couples having sex. Walter is a self-assured student with some musical talent; he auditions for her class and is forthright in his attraction to her. She responds coldly then demands he let her lead. Next she changes the game with a letter, inviting him into her fantasies. How will he respond; how does sex have power over our other faculties?Written by
<jhailey@hotmail.com>
[first lines]
The Mother:
Good evening, child.
Erika Kohut:
Evening, mama.
The Mother:
[sarcastically]
Home already? I'm so happy.
Erika Kohut:
I'm going.
The Mother:
Not so fast.
Erika Kohut:
Please. Leave me be. I'm tired.
The Mother:
I can quite believe it. Your last pupil left 3 hours ago. Might I know where you've been all this time?
Erika Kohut:
[trying to go to her room]
Please.
The Mother:
No, you don't. Not until you tell me.
[...] See more »
This is a difficult movie. It's difficult to watch at times, if you take it seriously. But I think it was difficult to film, to write, to act.
The premise is subtle even if it sounds sensational--show the inner mind and inner life of a brilliant woman who is mentally ill. She has compulsive issues, I think, and sexual repression that has led her to masochistic and finally sadistic extremes. She is admirable in some external way for her self-control which reads, to an outsider, as cold precision, the kind needed to be an extraordinary classical pianist.
But the movie takes us inside her life, first to the unhealthy relationship with her mother, then the oddly stern and indifferent role she takes with her advanced students. Finally there is a young man who sees only her ability, and her external beauty. (This woman, Erika, is played by the incomparable Isabelle Huppert.) He is a pianist of unusual talent, but he wants not to concertize, but to live life. He plays hockey. He has friends. He smiles warmly. He is, in short, a healthy normal and rather handsome young man.
And he falls for Erika. This is where the movie gets weirder and weirder, but also more challenging. They play an intense game of sexual chicken, at first, and lots of head games. He knows she's superior to him in some way--older, more severe---but he has no idea about her slanted view of life and of sex. He wants her. He becomes a pupil of hers just for that reason. She pretends not to care, or to rebuff him (in part this isn't pretense because she's afraid). Finally a couple of serious and demented confrontations occur.
And things unravel in a very interesting way. Some people will find it simply sick and unwatchable. It also happens very slowly--if the film has an obvious flaw, it's the pace. It's in love with itself far too much. But if you get into that flow, and can take the pain that will rise up, then you will at least be greatly affected. That's more than most movies can say.
It's all quite in ernest. I don't think it's a bit campy or playing games with the viewer. It's really trying to get at this woman's psyche--and the young man's, since he gets in deeper than he intended. It's filmed with terrific planning and visual panache. And it makes some kind of deranged sense, too. In fact, there are probably more people in these kinds of situations than I'll even know, and to them I say give this a careful look.
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The Piano Teacher (2001)
This is a difficult movie. It's difficult to watch at times, if you take it seriously. But I think it was difficult to film, to write, to act.
The premise is subtle even if it sounds sensational--show the inner mind and inner life of a brilliant woman who is mentally ill. She has compulsive issues, I think, and sexual repression that has led her to masochistic and finally sadistic extremes. She is admirable in some external way for her self-control which reads, to an outsider, as cold precision, the kind needed to be an extraordinary classical pianist.
But the movie takes us inside her life, first to the unhealthy relationship with her mother, then the oddly stern and indifferent role she takes with her advanced students. Finally there is a young man who sees only her ability, and her external beauty. (This woman, Erika, is played by the incomparable Isabelle Huppert.) He is a pianist of unusual talent, but he wants not to concertize, but to live life. He plays hockey. He has friends. He smiles warmly. He is, in short, a healthy normal and rather handsome young man.
And he falls for Erika. This is where the movie gets weirder and weirder, but also more challenging. They play an intense game of sexual chicken, at first, and lots of head games. He knows she's superior to him in some way--older, more severe---but he has no idea about her slanted view of life and of sex. He wants her. He becomes a pupil of hers just for that reason. She pretends not to care, or to rebuff him (in part this isn't pretense because she's afraid). Finally a couple of serious and demented confrontations occur.
And things unravel in a very interesting way. Some people will find it simply sick and unwatchable. It also happens very slowly--if the film has an obvious flaw, it's the pace. It's in love with itself far too much. But if you get into that flow, and can take the pain that will rise up, then you will at least be greatly affected. That's more than most movies can say.
It's all quite in ernest. I don't think it's a bit campy or playing games with the viewer. It's really trying to get at this woman's psyche--and the young man's, since he gets in deeper than he intended. It's filmed with terrific planning and visual panache. And it makes some kind of deranged sense, too. In fact, there are probably more people in these kinds of situations than I'll even know, and to them I say give this a careful look.