6.0/10
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The Triumph of Love (2001)

PG-13 | | Comedy, Romance | 10 May 2002 (USA)
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A Princess is determined to restore her homeland's throne to its rightful heir, a young Prince with whom she falls in love.

Director:

Clare Peploe

Writers:

Marivaux (play), Clare Peploe | 2 more credits »
4 nominations. See more awards »

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Cast

Cast overview:
Mira Sorvino ... The Princess
Rachael Stirling ... Corine
Ben Kingsley ... Hermocrates
Jay Rodan ... Agis
Ignazio Oliva Ignazio Oliva ... Harlequin
Luis Molteni Luis Molteni ... Dimas
Fiona Shaw ... Leontine
Carlo Antonioni Carlo Antonioni ... Coachman
Carlo Marcoccia Carlo Marcoccia ... Shepherd
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Storyline

In an unidentified country in 18th century Europe, a usurper's daughter has inherited the throne and feels guilty about her family's crimes. She learns that a rightful heir exists but has been taught to hate her and reject all love, and who additionally is kept in seclusion to protect him from her. Spying on his household, she falls in love at the first sight of him, suggesting an obvious happy ending as regards the throne. But to even get close enough to him to talk about it, she must embark on a series of bribes, deceptions, and seductions... Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Her Game Is Seduction, The Prize Is His Love... See more »

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some nudity and sensuality | See all certifications »
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Details

Official Sites:

Paramount Classics

Country:

Italy | UK | Germany

Language:

English | French

Release Date:

10 May 2002 (USA) See more »

Also Known As:

El triunfo del amor See more »

Filming Locations:

Tuscany, Italy See more »

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$60,507, 21 April 2002, Limited Release

Gross USA:

$446,942, 1 September 2002
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

This movie is based upon a famous eighteenth century play by Pierre de Marivaux. In keeping with its theatrical roots, there are brief shots interspersed throughout of a modern audience in the garden. See more »

Connections

Version of Le triomphe de l'amour (1979) See more »

Soundtracks

Overture from the Opera DON GIOVANNI
By Wolfgang Amadeus Mozart (as W.A.Mozart)
Orchestra: The City of Prague Philharmonic Orchestra (as The City of Prague Philharmonic)
Conducted by Jason Osborn
See more »

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User Reviews

 
The worst
12 January 2005 | by mattmcg3spamtrapSee all my reviews

Let me be clear. I've used IMDb for years. But only today I went through the trouble of registering on the site, just so I could give this movie the lowest possible rating. I've seen hundreds of films, some of them bad, a few awful. Never, though, have i seen such a contrast of pretense and incompetence, of high intentions and failure.

Mira Sorvino is horribly cast as the princess, but entirely unbelievable as Phocion, a young boy. Fiona Shaw is always an entertaining character, but the dialogue in the film is much worse, even, than in the insipid French play that is the source (Marivaux never reached Hollywood until now, and we should keep it that way).

To illustrate, for example, that Leontine is a brilliant, passionate philosopher and scientist, she is shown frantically pouring chemicals from beaker to beaker, shouting out names of famous scientists. And the romance between Agis and the princess is played even sillier. For this, the pair should receive a joint 'Clair Danes' award, which in a just world would be awarded for gratuitously anachronistic and uninspired re-interpretation of interesting teens from literature as brats of the 1990's (see Miss Danes in Les Miserables).

Aside from the atrocious plot and dialogue, there are some attempts to introduce artistic tropes into the filming. For example, there are moments when a handful of spectators are faded in and out of view of the action, sitting in chairs, watching the principal characters. The Director wants us to realize she's adapted a play. I get it. But it doesn't happen at all until far into the film. At that point, seeing a crowd of people sitting in chairs for a moment, then disappearing, is creepy and distracting. They're like some sort of un-scary zombie crowd, appearing through the mists, filling us with dread. When you see the horrible frolic and song that ends this movie, you'll want to rouse your own crowd of zombies and kill them all for the grave injustise of poisoning your mind for 112 minutes.

-Matthew McGuire


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