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Captive Flock (1962)

Pleneno yato (original title)
The film deals with the anti-fascist resistance theme.


Ducho Mundrov


Emil Manov (novel)
2 wins & 1 nomination. See more awards »




Cast overview:
Dimitar Buynozov Dimitar Buynozov ... Boris
Stefan Iliev ... Vladimir (as Stefan Ilyev)
Asen Kisimov Asen Kisimov ... Petar
Kiril Kovachev Kiril Kovachev ... Hristo
Petar Slabakov ... Anton
Atanas Velikov Atanas Velikov ... Vasil
Lili Raynova Lili Raynova
Nadezhda Vakavchieva Nadezhda Vakavchieva
Bozhidar Dyakov Bozhidar Dyakov
Magda Kolchakova Magda Kolchakova
Simeon Yotov Simeon Yotov
Kina Dasheva Kina Dasheva
Mitko Videnov Mitko Videnov
Rositza Slavcheva Rositza Slavcheva


The characters are members of an anti-fascist combat group. Six of them are betrayed and apprehended. During the investigation, the police entangle one of them in a crafty piece of intrigue so that the other will imagine him to be an agent provocateur. Suspicion sneaks into the group. By suspicion and doubt the police try to split the six men who are untied by their common ideals and fate. But after an excruciating inner struggle, trust gains the upper hand: each of characters is sooner prepared to die than believe in unproven guilt of one of his comrades and betray them all. Written by Georgi Djulgerov <georgidjul1943@gmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

based on novel | See All (1) »









Release Date:

3 September 1962 (Bulgaria) See more »

Also Known As:

A foglyul ejtett csoport See more »

Company Credits

Production Co:

Boyana Film, Bulgar Film See more »
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Technical Specs


Sound Mix:

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User Reviews

Motive of trust is a distinguishing feature of the film
17 August 2004 | by majorSee all my reviews

The director Ducho Mundrov took part in the anti-fascist resistance - he was under death sentence in jail. Drawing from his experience he has made a deeply moving, poetic and humane picture. His film is one example of a wave of poetic films in Bulgarian cinema during 60-s. These films are dealing with the resistance theme, which began, in the late fifties and the early sixties. Here, as in the most of the films of this group, faith in the revolutionary ideals is associated with the moral qualities of the person.

A distinguishing feature of the films made during this period is motive of trust. Here, indeed, it is what drives the action onwards.

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