In German-occupied Poland during World War II, Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazi Germans.
When an open-minded Jewish librarian and his son become victims of the Holocaust, he uses a perfect mixture of will, humor, and imagination to protect his son from the dangers around their camp.
Director:
Roberto Benigni
Stars:
Roberto Benigni,
Nicoletta Braschi,
Giorgio Cantarini
Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
A young FBI cadet must receive the help of an incarcerated and manipulative cannibal killer to help catch another serial killer, a madman who skins his victims.
Director:
Jonathan Demme
Stars:
Jodie Foster,
Anthony Hopkins,
Lawrence A. Bonney
After a tragic accident, two stage magicians engage in a battle to create the ultimate illusion while sacrificing everything they have to outwit each other.
Director:
Christopher Nolan
Stars:
Christian Bale,
Hugh Jackman,
Scarlett Johansson
A criminal pleads insanity after getting into trouble again and once in the mental institution rebels against the oppressive nurse and rallies up the scared patients.
Director:
Milos Forman
Stars:
Jack Nicholson,
Louise Fletcher,
Will Sampson
In this adaptation of the autobiography "The Pianist: The Extraordinary True Story of One Man's Survival in Warsaw, 1939-1945," Wladyslaw Szpilman, a Polish Jewish radio station pianist, sees Warsaw change gradually as World War II begins. Szpilman is forced into the Warsaw Ghetto, but is later separated from his family during Operation Reinhard. From this time until the concentration camp prisoners are released, Szpilman hides in various locations among the ruins of Warsaw.Written by
Jwelch5742
Daniel Szpilman, the real grandson of the main character Wladyslaw Szpilman, plays the part of the boy in the ghetto (on the market place and later again on the Umschlagplatz). See more »
Goofs
When Szpilman is forced to leave his first hiding place after breaking the dishes, he has significant stubble on his face. However, when he reaches Dorota's apartment in the next scene, he's clean shaven. See more »
Quotes
[first lines]
Dorota:
[running from bombing]
Mr. Szpilman?
Wladyslaw Szpilman:
Hello.
Dorota:
Oh, I came specially to meet you. I love your playing.
Wladyslaw Szpilman:
Who are you?
Dorota:
My name is Dorota. I, I'm Jurek's sister... You're bleeding.
See more »
Crazy Credits
Aside from the Universal and Focus Features credits, there are no opening credits. All credits, including the title, appear at the end of the film. See more »
This wrenching yet ultimately uplifting fact-based drama won Adrien Brody his Academy Award and finally made him a star (along with his gracious yet heartfelt Oscar speech and That Kiss :-) -- rightly so, since title character Wladyslaw Szpilman is a challenging role in so many ways! It's not easy to command the screen when your character often has to be passive, deliberately trying not to draw attention to himself to keep from falling into Nazi hands in war-torn Poland, but Brody pulls it off. It helps that Brody is absolutely stellar at acting with his eyes, plus his body language speaks volumes; these fill in the emotional cracks, especially in scenes where Szpilman, alone and in hiding, can't speak or even move around much for fear of giving himself away. (Brody is the youngest actor to date to win the Best Actor Oscar, BTW, having gotten his little gold man only a month before his 30th birthday.) While there's no lack of haunting scenes, thanks to the deservedly Oscar-winning work of director Roman Polanski and screenwriter Ronald Harwood, the one that always gets me is the one where Szpilman discovers the apartment serving as his latest `safe house' has a piano. We see Szpilman sit at the piano; we see him in a head-and-shoulders shot, shoulders moving; we hear piano music and gasp as we fear his love and longing for music is about to give him away -- and then we see his hands moving in the air just above the keyboard and realize, with both relief and a pang of regret, that the music is only in Szpilman's head. Terrific as the other 2002 Best Actor nominees were, now that I've seen THE PIANIST (as well as the fascinating making-of documentary on the DVD's flip side, showing what a physically and emotionally grueling experience Brody's job often was), I'd be really p***ed off if anybody but Adrien Brody had won! (Besides, the rest of the 2002 Best Actor nominees already won Oscars -- this time it was dark horse Brody's turn! :-)
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This wrenching yet ultimately uplifting fact-based drama won Adrien Brody his Academy Award and finally made him a star (along with his gracious yet heartfelt Oscar speech and That Kiss :-) -- rightly so, since title character Wladyslaw Szpilman is a challenging role in so many ways! It's not easy to command the screen when your character often has to be passive, deliberately trying not to draw attention to himself to keep from falling into Nazi hands in war-torn Poland, but Brody pulls it off. It helps that Brody is absolutely stellar at acting with his eyes, plus his body language speaks volumes; these fill in the emotional cracks, especially in scenes where Szpilman, alone and in hiding, can't speak or even move around much for fear of giving himself away. (Brody is the youngest actor to date to win the Best Actor Oscar, BTW, having gotten his little gold man only a month before his 30th birthday.) While there's no lack of haunting scenes, thanks to the deservedly Oscar-winning work of director Roman Polanski and screenwriter Ronald Harwood, the one that always gets me is the one where Szpilman discovers the apartment serving as his latest `safe house' has a piano. We see Szpilman sit at the piano; we see him in a head-and-shoulders shot, shoulders moving; we hear piano music and gasp as we fear his love and longing for music is about to give him away -- and then we see his hands moving in the air just above the keyboard and realize, with both relief and a pang of regret, that the music is only in Szpilman's head. Terrific as the other 2002 Best Actor nominees were, now that I've seen THE PIANIST (as well as the fascinating making-of documentary on the DVD's flip side, showing what a physically and emotionally grueling experience Brody's job often was), I'd be really p***ed off if anybody but Adrien Brody had won! (Besides, the rest of the 2002 Best Actor nominees already won Oscars -- this time it was dark horse Brody's turn! :-)