Relationship filled with pitfalls between a pleasant female video producer and a gallery owner as they become embroiled in their self-spun web of illusions. Bitter-sweet serenade to modern c... Read allRelationship filled with pitfalls between a pleasant female video producer and a gallery owner as they become embroiled in their self-spun web of illusions. Bitter-sweet serenade to modern courtship.Relationship filled with pitfalls between a pleasant female video producer and a gallery owner as they become embroiled in their self-spun web of illusions. Bitter-sweet serenade to modern courtship.
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A young man arrives at a hotel for an assignation; she calls to say she's not coming. He is Jae-hoon, she is Soo-jung; they've met through Young-soo, an independent filmmaker. Soo-jung writes for Young-soo; Jae-hoon may finance his film project. From varying points of view in two long parallel flashbacks, we see what precedes the hotel date. Details differ, and each account includes events missing from the other. Characters are quiet and self-contained, then animated; victims apologize. Each character frequently asks, "Really?" What has really happened? Is one account more accurate? Is a kiss the most enjoyable and promising human contact? Connections are tenuous and fragile. —<jhailey@hotmail.com>
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Reconstructing memories
Here we follow an independent director with his writer and meet up with the rich sponsor of the movie, an owner of a gallery called "Growrich". The movie is split into two parts (which is not as gimmicky as it sounds) with 5 (?) chapters each, both with the same story told more or less the same way, from different angles. What angles are they? Some speculate the first to be the sponsors perspective and the second to be the female protagonists, which may very well be, what is certain however is that the differ in time, both are retrospects and the haziness of it all suggest quite some time has passed since the event.
This is the definite highlight of the Hong Sang soo filmography for me with "Power of Kangwon Province" as a good second. The strict formalism applied here gives an edge to the realism and thereby en-chances it which I felt were lacking in some of his other movies like "Woman is the Future of Man". That being said, I watched this two times over to really appreciate how he deconstructs from the different angles. This is the work of a true master.
Lee Eun-ju and the other actors did a wonderful job, cinema lost a big talent with her suicide 5 years after this movie. Rest in peace.
This is the definite highlight of the Hong Sang soo filmography for me with "Power of Kangwon Province" as a good second. The strict formalism applied here gives an edge to the realism and thereby en-chances it which I felt were lacking in some of his other movies like "Woman is the Future of Man". That being said, I watched this two times over to really appreciate how he deconstructs from the different angles. This is the work of a true master.
Lee Eun-ju and the other actors did a wonderful job, cinema lost a big talent with her suicide 5 years after this movie. Rest in peace.
helpful•52
- Atavisten
- Apr 5, 2007
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