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The Grey Zone (2001)

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A Nazi doctor, along with the Sonderkommando, Jews who are forced to work in the crematoria of Auschwitz against their fellow Jews, find themselves in a moral grey zone.

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(based in part on "Auschwitz: A Doctor's Eyewitness Account") (as Dr. Miklos Nyiszli), (play) | 1 more credit »
1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Moll
David Chandler ...
Max Rosenthal
...
Cohen
George Zlatarev ...
Lowy (as Georgy Zlatarev)
Dimitar Ivanov ...
Old Man
...
...
...
...
Henry Stram ...
Kamelia Grigorova ...
...
Anja (as Lisa Benavides)
...
Inmate
...
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Storyline

The true story of Dr. Miklos Nyiszli, a Hungarian Jew chosen by Josef Mengele to be the head pathologist at Auschwitz. Nyiszli was one of Auschwitz's Sonderkommandos - Special Squads of Jewish prisoners placed by the Nazis in the excruciating moral dilemma of helping to exterminate fellow Jews in exchange for a few more months of life. Together, the Sonderkommandos struggled to organize the only armed revolt that would ever take place at Auschwitz. As the rebellion is about to commence, a group from the unit discovers a 14-year-old girl who has miraculously survived a gassing. A catalyst for their desperate attempt at personal redemption, the men become obsessed with saving this one child, even if doing so endangers the uprising which could save thousands. To what terrible lengths are we willing to go to save our own lives, and what in turn would we sacrifice to save the lives of others? Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Taglines:

The Story You Haven't Seen

Genres:

Drama | History | War

Motion Picture Rating (MPAA)

Rated R for strong holocaust violence, nudity and language | See all certifications »

Parents Guide:

 »
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Details

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|

Release Date:

30 November 2001 (Spain)  »

Also Known As:

A szürke zóna  »

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$24,526, 20 October 2002, Limited Release

Gross USA:

$517,872, 22 December 2002
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The actual plans of the Auschwitz-Birkenau death camp and its crematoria were used to build the sets as historically accurate as possible. A ninety percent scale reproduction of Auschwitz-Birkenau's crematoria II and III (in the film, counted as I and II) was built near the village of Giten, forty-five minutes outside Sofia, Bulgaria. The result represents a fairly accurate depiction of a small part of the Auschwitz-Birkenau death camp. See more »

Goofs

The movie mentions the rebellion taking place in 'Number One' and 'Number Three' Crematorium in Birkenau. In reality these crematoria were numbered 2 and 4 (the number 1 crematorium was in the main camp Auschwitz 1). The unit working in Crematorium 2 was known as Kommando 1, however. See more »

Quotes

SS-Oberscharfuhrer Eric Muhsfeldt: I never fully despised the Jews until I experienced how easily they could be persuaded to do the work here. To do it so well. And to their own people! They'll be dead by week's end, every soul. And we'll replace them with others no different. Do you know how easy that will be?
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Connections

Referenced in Film Geek (2005) See more »

Soundtracks

Alto Rhapsody, Opus 53
(1869)
Composed by Johannes Brahms
Marjana Lipovsek, contralto
Berliner Philharmoniker conducted by Claudio Abbado
Courtesy of Deutsche Grammophon GmbH, Hamburg
Under license from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

 
A must see film
18 April 2004 | by See all my reviews

Many Holocaust films present the ethical dilemna of trying to stay alive at the cost of allowing others to die or even sending others to their death. A few films might focus on the dreaded Kapos in the camps -- or on the elitist Jewish Council members who helped organize the transport groups -- or on the musicians/performers who entertained the Nazis -- all of whom hoped that they would be allowed to survived. But this film focuses on the Sonderkommandos -- the special workers -- who ushered Jewish victims to the gas chambers and burned the bodies. They too hoped to survive. But they must have known that they were going to be murdered eventually, if only because they had become the most dangerous witnesses to the cold Nazi horror. And the film begins by informing us that these groups of Sonderkommandos were never allowed to live longer than four months.

There are several reasons you must see this film. First, it is based on the diary of Dr. Miklos Nyiszli, a Hungarian Jew chosen by Josef Mengele to be the head pathologist at Auschwitz. And it dramaticizes the true attempt by Sonderkommandos to destroy the Auschwitz gas chambers.

Second, it focuses on ethical dilemnas faced by Dr. Nyiszli and the various Sonderkommandos who are trying to save themselves, their families, or ... just someone ... anyone. To say that these men were "co-opted" by the Nazis is to ignore the horror of the coercion, debasement and dehumanization that the Nazis inflicted -- not only on their prisoners, but upon themselves. One can imagine that some Sonderkommandos were selfish -- just as some Kapos were cruel and some doctors who assisted the Nazis were accomplices. But the question remains -- what would you have done in the face of such coercion and duress?

Third, the film -- based on Tim Blake Nelson's play -- is not the typical Holocaust film. There is very little redeeming behavior. There is no uplifting ending. The grey zone of moral ambiguity is presented as a cold, unfeeling, horrifying place -- where you are damned if you do, and damned if you don't -- which means that they are all damned! For the first third of the film, the script is obtuse, confusing, and disconnecting -- as it should be, considering that we may as well be taking the point of view of someone who just arrived on a train and entered the gates of hell. How can any of this make sense? In the opening scene, the Doctor is asked to save the life of a Jew who attempted suicide. How absurd can that be -- to save the life of someone who will sooner rather than later be murdered by the Nazis anyway?!

In conclusion, the play/film contains dialogue and scenes that are memorable. This is one of my favorites. One Jewish leader is demanding that they destroy the gas chambers as soon as possible. But another Jewish leader is still planning on escape, arguing that he has every right to expect to live. The first leader replies, something to the effect that, after what he has seen and done, he does not want to live!

Today is Holocaust Memorial Day, April 18, 2004. Last night, after seeing a Holocaust documentary on Kurt Gerron ("Prisoner of Paradise") a friend of mine asked me what I would have done? I told her that it would depend on whom I was caring for -- my wife and my daughters -- my parents. It was then that I realized that I would have probably done everything that every Jew did during the Holocaust. I would have tried to save myself and my family. I would have abandoned others -- even betrayed others. I would have killed. I would have fought the Nazis. And I would have probably been killed for it. I would have despaired -- tried suicide -- become depressed, useless to everyone. I don't think I would have survived. I think the only question in that regard -- and it shows how irrelevant the question really is -- is "how soon would I have died." That is why I remember Holocaust Memorial Day -- so that I will never forget -- and I can help work towards a time when such a hell will not occur in Europe, in Africa, in the Middle East, in the US, ... anywhere.


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