Mary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.
The love life of Charlotte is reduced to an endless string of disastrous blind dates, until she meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship.
Single-girl anxiety causes Kat Ellis to hire a male escort to pose as her boyfriend at her sister's wedding. Her plan, an attempt to dupe her ex-fiancé, who dumped her a couple years prior, proves to be her undoing.
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Marisa Ventura is a single mother born and bred in the boroughs of New York City, who works as a maid in a first-class Manhattan hotel. By a twist of fate and mistaken identity, Marisa meets Christopher Marshall, a handsome heir to a political dynasty, who believes that she is a guest at the hotel. Fate steps in and throws the unlikely pair together for one night. When Marisa's true identity is revealed, the two find that they are worlds apart, even though the distance separating them is just a subway ride between Manhattan and the Bronx.Written by
John Hughes was originally set to direct from his own screenplay, titled "The Chambermaid", with Hilary Swank as the lead. In January 2001, the Dallas Morning News reported that Hughes would produce only, with a start date of March 2001. Al Cohn of the Illinois Film Office was hired as Location Manager for the shoot. By July, Variety was reporting that Hughes and Swank were out, and Jennifer Lopez was in negotiations for the lead. Wayne Wang was hired as Director in October 2001, with a new screenplay by Kevin Wade, which updated the story from the 1920s. Sandra Bullock had expressed interest in the lead at one point, and Julia Roberts passed on the script early on. See more »
Marisa is holding her son's sweater in her hands, but in subsequent shots he is wearing it. See more »
Come on. Get your coat. We gotta go. You have everything?
Hurry up, sweetie. We're late. Ty. Today papí. You're killing me, Ty. Right now you're killing mommy.
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This is a warm-heated story with a predictable plot. It may not be a great film, but but it is good entertainment. And the highlight of the movie may be hidden in a soliloquy, rather than revealed at the end. Every good story offers hope and this film delivers that. Its characters also experience transformation thanks to several easily-overlooked defining moments. So watch and enjoy the film for entertainment. Then watch it again, and again, for the pleasure of discovering the tapestry of truths it contains.
This is every bit as good a film as "The Wedding Planner" and Fiennes portrays a politico who learns the world doesn't revolve around himself. To some that might seem like fantasy, but it doesn't detract from the story. The supporting cast is a delightful menagerie. And perhaps the best role is that of Lionel Bloch, played by Bob Hoskins, who portrayed Smee in "Hook."
This isn't just another chick flick. And guys may need a few Kleenex. They will definitely be glad that Jennifer Lopez didn't wear another dress.
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