5.2/10
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Maid in Manhattan (2002)

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A Senatorial candidate falls for a hotel maid, thinking she is a socialite, when he sees her trying on a wealthy woman's dress.

Director:

Wayne Wang

Writers:

John Hughes (story) (as Edmond Dantès), Kevin Wade (screenplay)
1 win & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jennifer Lopez ... Marisa Ventura
Ralph Fiennes ... Christopher Marshall
Natasha Richardson ... Caroline Lane
Stanley Tucci ... Jerry Siegel
Tyler Posey ... Ty Ventura (as Tyler Garcia Posey)
Frances Conroy ... Paula Burns
Chris Eigeman ... John Bextrum
Amy Sedaris ... Rachel Hoffberg
Marissa Matrone ... Stephanie Kehoe
Priscilla Lopez ... Veronica Ventura
Bob Hoskins ... Lionel Bloch
Lisa Roberts Gillan ... Cora
Maddie Corman ... Leezette
Sharon Wilkins Sharon Wilkins ... Clarice
Jayne Houdyshell ... Carmen
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Storyline

Marisa Ventura is a single mother born and bred in the boroughs of New York City, who works as a maid in a first-class Manhattan hotel. By a twist of fate and mistaken identity, Marisa meets Christopher Marshall, a handsome heir to a political dynasty, who believes that she is a guest at the hotel. Fate steps in and throws the unlikely pair together for one night. When Marisa's true identity is revealed, the two find that they are worlds apart, even though the distance separating them is just a subway ride between Manhattan and the Bronx. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

This Christmas ... love checks in. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some language/sexual references | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French | Spanish

Release Date:

13 December 2002 (USA) See more »

Also Known As:

Made in New York See more »

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Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend USA:

$18,711,407, 15 December 2002, Wide Release

Gross USA:

$94,011,225

Cumulative Worldwide Gross:

$154,906,693
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The pink gown that Jennifer Lopez wears to the fund-raising dinner, is a vintage gown from the 1950s. This was stated by Jennifer to a contestant auditioning on American Idol, season fourteen. The contestant told J. Lo she was a big fan of her and the movie, and tried to find a duplicate of that same gown for her prom, but was unable to find one. See more »

Goofs

Marisa's hair goes back and forth over her shoulders while talking to her mom in her apartment after she is fired. See more »

Quotes

[first lines]
Marisa: Come on. Get your coat. We gotta go. You have everything?
Ty: Yeah.
Marisa: Hurry up, sweetie. We're late. Ty. Today papí. You're killing me, Ty. Right now you're killing mommy.
See more »

Connections

References Larry King Live (1985) See more »

Soundtracks

Yes We Can Can
Written by Allen Toussaint
Performed by The Pointer Sisters
Courtesy of MCA Records
Under license from Universal Enterprises
See more »

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User Reviews

 
Well, I liked it!
9 October 2007 | by MusicalMagpieSee all my reviews

So many people have already written reviews of this movie, which has been out for five years now, that I am not going to go into detail about the plot, or the acting, or whether the storyline is predictable, or how cute Ty Posey was. I am merely going to say that I watched it tonight for the first time with my 13-year old daughter and we both enjoyed it immensely. I found Jennifer Lopez a bit stiff in places, but overall she handled the role well. I do not understand why so many people had problems with Ralph Finnes in this movie, I found him not only believable but incredibly sexy, and I hope he gets the opportunity to do more romantic comedies! Bob Hoskins stole every scene he was in. Stanley Tucci chewed scenery. Natasha Richardson was suitably selfish and blonde. New York was lovely. The dog overacted shamelessly. The movie was not perfect, but it was delightful. The only wrong note was the series of magazine covers at the end, showing what happened to the characters; it was much too "cute" and rather unbelievable (all three of her maid friends become hotel managers?) And I was rather disappointed that - for all the film's brave talk of crossing social barriers - the movie ends with nothing more than a magazine cover with the headline "A year later, they are still together". I felt cheated.


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