IMDb RATING
3.7/10
2.4K
YOUR RATING
Terrorists hijack an airplane that is broadcasting a rock concert live on the Internet.Terrorists hijack an airplane that is broadcasting a rock concert live on the Internet.Terrorists hijack an airplane that is broadcasting a rock concert live on the Internet.
Zak Santiago
- Gabriel Mendoza
- (as Zak Santiago Alam)
Marlowe Dawn
- Nance Goldsmith
- (as Marlowe Kaufmann)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis was the last movie released by Trimark Pictures.
- GoofsThe co-pilot's gunshot suicide leaves no blood.
- Quotes
Nick Watts: [after learning Erica's true goals] Oh boy. Helter-skelter live on the net.
- ConnectionsFeatured in Best of the Worst: Plinketto #4 (2017)
Featured review
The bizarre pitch for this airborne thriller is Passenger 57 (1992) starring Marilyn Manson. It involves a controversial heavy metal group performing an internet-streamed gig aboard a jumbo jet, co-piloted by Rutger Hauer, that's hijacked by Satanists.
Screenwriter Wade Ferley clearly had no shortage of ideas, the problem is he didn't know how to develop them and so the film skitters between several characters involved with or observing the unfolding mayhem.
Despite all the onboard chaos, much of the time is spent with additional characters on the ground. A pointless sub-plot involves a Clarice Starling-style FBI agent tracking down a notorious computer hacker and other scenes involve Joe Mantegna.
Director Jorge Montesi has an extensive history in television and a handful of features under his belt. Unfortunately his experience fails to give the film anything more than a cheap TV movie feel. Locations are suspiciously absent of extras and very bland to look at, while the principle cast members spend the majority of the time in separate locations from which the fail to venture far from.
An early indication of budgetary limitations is the opening sequence. Craven is identified as this fictional world's Marilyn Manson, a character whose popularity is equalled only by his controversial status. Greeting him at the airport are his legion of dedicated fans and protesters clearly representing the religious right. But either side's numbers are so few it's difficult to suspend disbelief and enter into the story.
However, once you accept its limitations of budget and scale, Turbulence 3 becomes a fun thrill ride surpassing the majority of Airport (1969) clones. While its use of air disaster clichés, such as the on-board threat, communications with the tower/ground authorities and the final landing sequence (followed by the shot of emergency vehicles and survivors exiting the plane), place it within a specific genre, it's cultural themes to mark is very much as a film of it's time. It has a unique identity and it's trying to capture the zeitgeist; it just does it badly.
This is one of those movies in which there are plenty of familiar faces and names, but none of these are the main characters. Many in Turbulence 3's supporting cast have a history in the air disaster genre. Craig Sheffer returns from Turbulence 2: Fear of Flying (1999) but portrays a different character, unconvincingly cast as a hippie hacker. Sheffer and co-star Gabrielle Anwar and Rutger Hauer were also together in Flying Virus (also made in 2001) and he completed a quadrilogy of air disasters with TV movie Cabin Pressure (2002). Co-star Joe Mantegna had earlier appeared in Airspeed (1998).
The most complex sequences take place aboard the plane and feature none of the headlined stars. Unknown John Mann got a chance to shine in the dual role of Slade Craven and his psychotic doppelgänger. Craven is not as embarrassingly cartoonish as he could have been and Mann makes the role his own, exploring not only the public and private dimension of the rock star, but also his truly deranged double - enhanced with a vocal dub.
Mann, who performs 2 mediocre tracks as Craven, does a good job in stripping away the theatrical aspect of his character without ever removing his make-up. Unfortunately the impact is undermined by a late moment where our mock-satanic hero takes a moment to pray, as if to confirm he is indeed a good man.
The starring role in Turbulence 3 didn't do much for Mann's career. He eventually made it to the higher profile films in roles such as as "bouncer" in Catwoman (2004), "convict" in The Chronicles of Riddick (2004) and "Viking doctor" in Pathfinder (2007).
Screenwriter Wade Ferley clearly had no shortage of ideas, the problem is he didn't know how to develop them and so the film skitters between several characters involved with or observing the unfolding mayhem.
Despite all the onboard chaos, much of the time is spent with additional characters on the ground. A pointless sub-plot involves a Clarice Starling-style FBI agent tracking down a notorious computer hacker and other scenes involve Joe Mantegna.
Director Jorge Montesi has an extensive history in television and a handful of features under his belt. Unfortunately his experience fails to give the film anything more than a cheap TV movie feel. Locations are suspiciously absent of extras and very bland to look at, while the principle cast members spend the majority of the time in separate locations from which the fail to venture far from.
An early indication of budgetary limitations is the opening sequence. Craven is identified as this fictional world's Marilyn Manson, a character whose popularity is equalled only by his controversial status. Greeting him at the airport are his legion of dedicated fans and protesters clearly representing the religious right. But either side's numbers are so few it's difficult to suspend disbelief and enter into the story.
However, once you accept its limitations of budget and scale, Turbulence 3 becomes a fun thrill ride surpassing the majority of Airport (1969) clones. While its use of air disaster clichés, such as the on-board threat, communications with the tower/ground authorities and the final landing sequence (followed by the shot of emergency vehicles and survivors exiting the plane), place it within a specific genre, it's cultural themes to mark is very much as a film of it's time. It has a unique identity and it's trying to capture the zeitgeist; it just does it badly.
This is one of those movies in which there are plenty of familiar faces and names, but none of these are the main characters. Many in Turbulence 3's supporting cast have a history in the air disaster genre. Craig Sheffer returns from Turbulence 2: Fear of Flying (1999) but portrays a different character, unconvincingly cast as a hippie hacker. Sheffer and co-star Gabrielle Anwar and Rutger Hauer were also together in Flying Virus (also made in 2001) and he completed a quadrilogy of air disasters with TV movie Cabin Pressure (2002). Co-star Joe Mantegna had earlier appeared in Airspeed (1998).
The most complex sequences take place aboard the plane and feature none of the headlined stars. Unknown John Mann got a chance to shine in the dual role of Slade Craven and his psychotic doppelgänger. Craven is not as embarrassingly cartoonish as he could have been and Mann makes the role his own, exploring not only the public and private dimension of the rock star, but also his truly deranged double - enhanced with a vocal dub.
Mann, who performs 2 mediocre tracks as Craven, does a good job in stripping away the theatrical aspect of his character without ever removing his make-up. Unfortunately the impact is undermined by a late moment where our mock-satanic hero takes a moment to pray, as if to confirm he is indeed a good man.
The starring role in Turbulence 3 didn't do much for Mann's career. He eventually made it to the higher profile films in roles such as as "bouncer" in Catwoman (2004), "convict" in The Chronicles of Riddick (2004) and "Viking doctor" in Pathfinder (2007).
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Thảm Họa Máy Bay 3
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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