When a family is held hostage, former hostage negotiator Jeff Talley arrives at the scene. Talley's own family is kidnapped and Talley must decide which is more important: saving a family he doesn't even know or saving his own family.
Serena Scott Thomas
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
Fourth-generation Army Col. William McNamara is imprisoned in a brutal German POW camp. Still, as the senior-ranking American officer, he commands his fellow inmates, keeping a sense of honor alive in a place where honor is easy to destroy, all under the dangerous eye of the Luftwaffe veteran Col. Wilhelm Visser. Never giving up the fight to win the war, McNamara is silently planning, waiting for his moment to strike back at the enemy. A murder in the camp gives him the chance to set a risky plan in motion. With a court martial to keep Visser and the Germans distracted, McNamara orchestrates a cunning scheme to escape and destroy a nearby munitions plant, enlisting the unwitting help of young Lt. Tommy Hart. Together with his men, McNamara uses a hero's resolve to carry out his mission, ultimately forced to weigh the value of his life against the good of his country.Written by
One of the movie's credited writers, Billy Ray, reports that he never read the novel, "Hart's War," which is the basis for the movie. In The Dialogue: An Interview with Screenwriter Billy Ray (2007), he calls this revelation a "painful admission." But, he explains, by the time he came on the project, the screenplay had been through so many drafts that what was in the book itself did not matter much for his job of getting the screenplay to work. Ray says that one of the movie's producers, David Foster "constantly" sent him excerpts from the novel, advising him to include those particular things in the movie. But he implies that he felt no need to include something simply because it came from the novel. He then makes a point of saying he "admires" the novel's author, John Katzenbach and his father, Nicholas Katzenbach, whose time as a World War II prisoner of war was the basis of the novel. Ray explains further that he worked from the existing drafts and from the large amount of World War II research he did for the project, especially relying on the writing of Stephen Ambrose. See more »
The level of the alcohol in the glass jar in the Colonel's office changes between shots. At one point it rises and later lowers again without being poured. See more »
Lt. Lincoln A. Scott:
You know how hard they tried to wash us out in flight school? the colored flyers, it was test after test, anything they can come up to turn us into the cooks, the drivers, the shit shovelers, but I refused to wash out, so did Archer, come hell or high water, we hit the books, we were determined not to spend the war being some niggers, with all due respect, sir I'd like to exercise my right to address this court, I've been sitting down ever since I got here and I should've said when you ...
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I don't know what y'all are complaining about: this is a good movie! It has fallen pray to mismarketing like so many good films before. Farrell is good (he'll be BIG soon, mark my words), Marcel Iures fills the screen with his presence and performance. Willis however, I must admit, play Willis. But hey; I like him for what he is.
The plot is well thought out, intelligently blending the lines between the war- and the courtroom genre. Don't tell me you anticipated every twist in the plot.
For all it's worth; the movie was very different in a great way from all war movies in last couple of years. Different in quite a smart way, too.
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