5.1/10
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7 user 3 critic

Double Bang (2001)

An honest cop enters the dark world of murder and corruption.

Director:

Heywood Gould

Writer:

Heywood Gould
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Cast

Cast overview, first billed only:
William Baldwin ... Billy Brennan
Jon Seda ... Sally 'Fish' Pescatore
Elizabeth Mitchell ... Dr. Karen Winterman
Adam Baldwin ... Vinnie Krailes
Byron Minns ... Edmund (as Byron Keith Minns)
Leonard Termo ... Al Lucito
Richard Portnow ... Lieutenant Shatkin
Sofia Milos ... Carmela Krailes
Una Damon ... Kim
Billy Mayo ... McKracken
John Capodice ... Frankie Carbonaro
Christian Camargo ... Brian Jacobs
Suzanne Carney Suzanne Carney ... Brenda
Michael Ray Clark Michael Ray Clark ... Second Cop
Erich Martin Hicks ... Maintenance Man
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Storyline

An honest cop enters the dark world of murder and corruption.

Plot Summary | Add Synopsis

Plot Keywords:

independent film | See All (1) »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for violence, language, drug use and some sexuality | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

July 2003 (France) See more »

Also Known As:

De cealalta parte a legii See more »

Filming Locations:

Los Angeles, California, USA

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(DVD)

Color:

Color
See full technical specs »
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Did You Know?

Trivia

Features 2 Baldwins however they are no relation. See more »

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User Reviews

 
Pretty good version of a latter-day "B" movie
22 August 2001 | by mitcjSee all my reviews

This is an example of the latter-day version of the "B" movie -- the direct-to-video/cable job. As such, if you don't mind cheapness (New York City seems to be portrayed by a small town in Canada) or occasional silliness, it's pretty good. William Baldwin is noble as a cop contending with a corrupt partner (an effectively scary Adam Baldwin) and a murderous joker of a bad guy (Jon Seda having a heck of a time). He falls for a threatened witness, a shrink played with soulful intelligence -- no kidding -- by Elizabeth Mitchell. There's even a nasty hit man haunted by the memory of his musician father. The Baldwin/Mitchell dialog scenes are quite acceptable, and Seda makes your heart race whenever he's on camera. This movie stretches to encompass a theme of redemption and loss, film-noir style, and just about manages it. The action scenes, such as they are, suffer from budget stretching. A bad guy is running away from cops; after he runs half a block, nobody's chasing him anymore. But the conviction of the actors makes it work. Warner Brothers might have produced something like this to play on double bills, and the audiences would've come away satisfied.


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