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61* (2001)

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Roger Maris and Mickey Mantle race to break Babe Ruth's single-season home run record.

Director:

Billy Crystal

Writer:

Hank Steinberg
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Popularity
2,873 ( 335)
Nominated for 1 Golden Globe. Another 4 wins & 25 nominations. See more awards »

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Cast

Cast overview, first billed only:
Barry Pepper ... Roger Maris
Thomas Jane ... Mickey Mantle
Anthony Michael Hall ... Whitey Ford
Richard Masur ... Milt Kahn
Bruce McGill ... Ralph Houk
Chris Bauer ... Bob Cerv
Jennifer Crystal Foley ... Pat Maris ('61)
Christopher McDonald ... Mel Allen
Bob Gunton ... Dan Topping
Donald Moffat ... Ford Frick
Joe Grifasi ... Phil Rizzuto
Peter Jacobson ... Artie Green
Seymour Cassel ... Sam Simon
Robert Joy ... Bob Fitschel
Michael Nouri ... Joe DiMaggio
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Storyline

Aiming for one of the most famed records in sports history, a pair of very different baseball players hit home runs at an impressive rate. Roger Maris, a reserved sort, is much less popular than his hard-partying New York Yankee teammate Mickey Mantle, the player who many observers think will be the one to challenge Babe Ruth's record of 60 home runs in one season. But in the summer of 1961, Maris surges ahead of Mantle, making a run at Ruth's mark. Written by Jwelch5742

Plot Summary | Add Synopsis

Taglines:

Mickey Mantle and Roger Maris. Why did America have room in its heart for only one hero?


Certificate:

TV-MA | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

HBO

Country:

USA

Language:

English

Release Date:

28 April 2001 (USA) See more »

Also Known As:

61 See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the film, Whitey Ford repeatedly calls Mickey Mantle "Slick". This is actually an in-joke that existed between Ford and Mantle. The story behind it is this: Back when Casey Stengel was the manager of the Yankees in the 1950's, he repeatedly reprimanded Ford, Mantle, and Billy Martin (who had already been traded away before the events in this film) for spending their nights drinking and coming to the ballpark the next day hung over. Stengel talked about the trio being "whiskey slick". So Ford and Mantle would jokingly call each other "slick" forever afterward. See more »

Goofs

When Roger Maris is talking to Mrs. Maris on the phone, we see a modular phone jack (not in use until the '70s). See more »

Quotes

Mickey Mantle: [Recalling a date with a girl to Roger, Whitey, Yogi, and the rest at a nightclub] So where was I?... Oh yeah, We're gettin' undressed and we start foolin' around and she suddenly stops and says 'I thought you was a homo?' And I say 'What? Wht the hell you talkin' about?' And she says 'Well, I heard you was a switch hitter'!
See more »

Crazy Credits

Yankee Stadium played by Tiger Stadium See more »

Connections

Referenced in Monkey in the Morning: Episode dated 14 March 2019 (2019) See more »

Soundtracks

Put On A Happy Face
Written by Charles Strouse and Lee Adams
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User Reviews

A Grand Slammer for Crystal & Cast
27 April 2002 | by mlevansSee all my reviews

Billy Crystal lovingly looks back at the New York Yankees of his childhood in `61.' The movie follows teammates Roger Maris and Mickey Mantle through the 1961 baseball season, in which Maris did the unimaginable - and unforgivable, in the eyes of many fans. He broke Babe Ruth's sacred 1927 record of 60 home runs in a season. Mantle chasing the Babe was one thing; Maris doing it was quite another. The self-proclaimed redneck from North Dakota, ill at ease around the big city media and hoopla, was not the golden boy that Mantle was. The Mick had owned New York for years - especially since his phenomenal triple crown year in 1956. Maris had come over from the lowly Kansas City A's a year earlier and had enjoyed what many assumed was his `career year' in 1960, winning the American League Most Valuable Player (MVP) award.

The movie focuses on more than just the home run chase. It gives a nice portrayal of Mantle and Maris as men and gives a fairly nice look at Major League life in the slightly less jaded early 1960s. The baseball scenes are quite realistic. Adding to the enjoyment for real baseball fans is the careful attention to detail. Even the opposing pitchers, trying to keep Maris from tying and breaking Babe Ruth's home run record, look real. Knuckleballer Hoyt Wilhelm looks just LIKE Hoyt Wilhelm. Jim Bunning throws just LIKE Jim Bunning. Jake Wood (seen only in a long shot, as a baserunner) looks like Jake Wood! I could go on, but won't. Attention to detail is a major plus for this production. (Note: In the midst of writing this, I just scrolled down the credits and saw that Wilhelm was portrayed by former Major League knuckleballer, Tom Candiotti! Sheesh! No WONDER his knuckleball looked real! It WAS real! lol)

Maris is played by Barry Pepper, whose physical resemblance to Maris borders on the scary! From his crewcut to his facial expressions, to his physique, Pepper looks exactly like Roger Maris in 1961! He seems to master the swing and other baseball skills, making me guess that he had played college baseball. He also turns in a convincing performance as the introverted Maris becomes the center of attention, controversy and criticism - not just in The Big Apple, but across the nation.

The performance of Thomas Jane as Mantle is also outstanding. He and Pepper accurately portray the stress of a long and grueling baseball season, made more so by separations from loved ones, the pressure of a pennant race and the ever-increasing pressure and scrutiny of the chase on Babe Ruth's hallowed record of 60 home runs. Jane captures the charisma and genuine likeability of Mantle, as well as his less attractive side as a non-attentive parent and unfaithful husband. Chris Bauer, meanwhile, is delightful as outfielder Bob Cerv (pronounced `serve'), a teammate of Maris in KC and his (and later Mantle's) roommie with the Yankees. Crystal's daughter, Jennifer Crystal Foley, is also strong as Pat Maris, struggling hard to support her stressed-out husband and manage their growing family, from halfway across the country. The rest of the cast is first-rate, as well.

The tie-in with the present day (or 1998, at least) shattering of Maris' record by Mark McGwire is effective and gives a more heartwarming feel to the film. McGwire was all class in 1998, going out of his way to accommodate the Maris family and to honor Maris himself (who had died several years earlier); of course he was buoyed by a nation that seemed to urge him on, rather than spit venom at him, like the one Maris faced. The final effect seems to be closure for the spirit of Roger Maris. Perhaps it DID take his record being broken for baseball to forgive the outsider from Dakota for having the audacity to break Ruth's record. Perhaps it DID take the goateed McGwire hitting 70 home runs for baseball fans to realize the significance and difficulty of Maris belting 61 in '61 - still the American League record, by the way. Crystal brings home his film in fine style. He also keeps it fairly clean. One off-color clubhouse exchange between Mantle and Whitey Ford seems to be tossed in primarily to give a sense of it BEING a Big League locker room. Thereafter, the film is largely suitable for the entire family. Overall, I would call `61' one of the better baseball movies ever made.


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