6.7/10
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Unfaithful (2002)

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A New York suburban couple's marriage goes dangerously awry when the wife indulges in an adulterous fling.

Director:

Adrian Lyne

Writers:

Claude Chabrol (film "La Femme infidèle"), Alvin Sargent (screenplay) | 1 more credit »
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Popularity
890 ( 461)
Nominated for 1 Oscar. Another 3 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
Diane Lane ... Connie Sumner
Erik Per Sullivan ... Charlie Sumner
Richard Gere ... Edward Sumner
Olivier Martinez ... Paul Martel
Myra Lucretia Taylor Myra Lucretia Taylor ... Gloria
Michelle Monaghan ... Lindsay
Chad Lowe ... Bill Stone
Joseph Badalucco Jr. Joseph Badalucco Jr. ... Train conductor
Erich Anderson ... Bob Gaylord
Damon Gupton ... Other businessman
Kate Burton ... Tracy
Margaret Colin ... Sally
Marc Forget ... Café bartender
Larry Gleason Larry Gleason ... Tim
Dominic Chianese ... Frank Wilson
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Storyline

Connie Sumner has a loving husband, a beautiful home, and a wonderful son, but she wants more. When she's approached one day by a handsome stranger while trying to hail a taxi, she becomes obsessed with him and eventually starts an affair. But her selfish actions soon catch up with her... Written by Jango

Plot Summary | Plot Synopsis

Taglines:

Where do you go when you've gone too far? See more »

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for sexuality, language and a scene of violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Germany | France

Language:

English | French

Release Date:

10 May 2002 (USA) See more »

Also Known As:

Infidelidad See more »

Filming Locations:

New York, USA See more »

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend USA:

$14,065,277, 12 May 2002, Wide Release

Gross USA:

$52,801,000

Cumulative Worldwide Gross:

$122,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Brad Pitt and Ryan Phillippe were offered the role of Paul. However during pre-production, the producers decided that Paul be French rather than American, so Olivier Martinez received the part. See more »

Goofs

When Connie first goes to bed with Edward, while he's testing his camcorder, the straps of her chemise jump on and off her shoulder between shots. See more »

Quotes

Charlie: What's 'accountable'? Is that like people eating people?
See more »

Alternate Versions

In the "Full Screen Special Edition" love scene at approximately 55 minutes, Ms. Lane's breasts are fully exposed very briefly before being cupped by Martinez's hands from behind. The wide screen version chops off the bottom of the frame thereby removing the full exposure. See more »

Connections

Featured in Sex at 24 Frames Per Second (2003) See more »

Soundtracks

Exit Music (For a Film)
Written by Thom Yorke (as Thomas Yorke), Ed O'Brien, Colin Greenwood,
Jonny Greenwood, Phil Selway (as Philip Selway)
Performed by Brad Mehldau
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products
See more »

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User Reviews

Drama as Art...
3 February 2004 | by kylebengelSee all my reviews

I have read alot of reviews here that expressed displeasure for this film based on the notion that this was basically "softcore porn for housewives" and had nothing new to offer it's audience. Ok, granted; this is not the most original film/script ever written, but I think that many reviews (both Professional and Ametuer alike) have missed the point of this film. Behind the obvious guise of a morality tale showing what can happen if you stray from your marital vows, there is a rather amazing piece of art to be seen. This film is not about marital infedelity, but, rather, about DRAMA. This is what we in the Theater refer to as Drama As Art, meaning that the plot is less important than the impact that the various plot points have on the characters, creating more and more and more drama as the story unfolds. As is the great ballets or stage plays ('Giselle', 'Whose Afraid of Virginia Wolf', 'Swan Lake' 'A Streetcar Name Desire'), the DRAMA is the star of the production, not the actors or the plot lines.

And in this respect, 'Unfaithful' excells! Watch carfully as the world slowly turns itself upside down and rips itself to shreds around these two people based on a SINGLE MOMENT IN TIME (the first scene outside of his apartment: Should she go in? Should she go home? One choice, one mopment in time, a world of difference). Based on her choice(s), the drama begins to build to a point when, at the end of the film, the DRAMA is the star, not Geer and Lane. And Drama does a fine job holding this otherwise middle-of-the-road film above the frey.


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