As a result of a drilling accident, a giant man-eating boa constrictor is released into a maximum security prison in Antarctica.
Director:
Writers:
Stars:
Photos and Videos
Cast
Dean Cain | ... |
Dr. Robert Trenton
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Elizabeth Lackey | ... |
Dr. Jessica Platt-Trenton
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Mark Sheppard | ... |
Yuri Breshcov
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Dean Biasucci | ... |
Major Larsten
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Craig Wasson | ... |
Warden Fred Riley
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Grand L. Bush | ... |
Sergeant Quinn
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Richard Tanner | ... |
Peter Yuvol
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Amanda Kiely | ... |
Patricia O'Boyle
(as Amandah Reyne)
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Greg Collins | ... |
Scott Poluso
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Gary Hershberger | ... |
Goodman
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Dana Ashbrook | ... |
Kelly Mitich
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Robert Madrid | ... |
Jose
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Chris Ufland | ... |
Jenkins
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Christopher Michael | ... |
Captain Thomas
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Marcus Aurelius | ... |
C-123 Pilot
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Daniel McCoy | ... |
C-123 Co-Pilot
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Eric Gerleman | ... |
Gulfstream Pilot
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Ron Otis | ... |
McCarthy
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Alex Williams | ... |
Grad student
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Directed by
Phillip J. Roth |
Written by
Terri Neish | ... | () |
Phillip J. Roth | ... | (story) |
Produced by
Jeffery Beach | ... | producer |
Melanie J. Elin | ... | line producer |
James Hollensteiner | ... | executive producer (as Jim Hollensteiner) |
Thomas J. Niedermeyer Jr. | ... | executive producer |
Ken Olandt | ... | producer |
T.J. Sakasegawa | ... | associate producer |
Richard Smith | ... | executive producer |
Music by
Richard McHugh | ... | (as Rich McHugh) |
Cinematography by
Todd Barron |
Editing by
Randy Carter | ||
David Flores |
Casting By
LariAnn Lang | ||
Shala Lang |
Production Design by
David Huang |
Art Direction by
Roger Baer |
Costume Design by
Julia Bartholomew |
Makeup Department
Francie Hart | ... | key hair stylist / key makeup artist |
Michelle Werner | ... | assistant makeup artist |
Production Management
Melanie J. Elin | ... | unit production manager |
Second Unit Director or Assistant Director
Stephen Koncelik | ... | second second assistant director |
Art Department
Kenneth Caldwell | ... | carpenter |
Marco De Oreo | ... | property maker |
Ron Miller | ... | illustrator |
Georges Zeter | ... | lead scenic artist |
Sound Department
Bill Reinhardt | ... | production sound mixer |
Visual Effects by
Steven M. Blasini | ... | visual effects coordinator |
Yancy Calzada | ... | character animation supervisor |
David Chan | ... | visual effects supervisor |
Harry Eisenstein | ... | on-screen graphics design & animation |
Kevin Gendreau | ... | cg artist |
D.R. Greenlaw | ... | cg animator |
Dave Jerrard | ... | visual effects |
David Ridlen | ... | digital artist |
Stunts
Dan McCoy | ... | stunts |
Cole S. McKay | ... | stunts |
Ron Otis | ... | stunt coordinator |
Camera and Electrical Department
John Cappilla | ... | gaffer |
Peter Enneking | ... | electrician |
Sergio Eremenco | ... | best boy electric |
Michael A. Johnson | ... | steadicam operator |
Alan Morier | ... | electrician |
Christopher M. Morlock | ... | grip |
Greg Morris | ... | first assistant camera |
Joe Pacella | ... | assistant camera |
Sean Peacock | ... | electrician |
Leon Samuelson | ... | electrician |
Thomas Vozza | ... | still photographer |
Jason Young | ... | best boy electric |
Animation Department
Bradley Mullennix | ... | animator |
Costume and Wardrobe Department
Darragh Marmorstein | ... | costume supervisor |
Music Department
Ric Gallaher | ... | composer: additional music |
Script and Continuity Department
Cecilia Weiss | ... | script supervisor (as Cecelia Weiss) |
Transportation Department
Gary Jackson | ... | driver |
Ken Kaplan | ... | transportation coordinator |
Additional Crew
Mike Tristano | ... | armorer |
Thanks
Angela Beach | ... | special thanks |
Brianna Beach | ... | special thanks |
Chris Beach | ... | special thanks |
Danny Beach | ... | special thanks |
Roberta Beach | ... | special thanks |
Fillula Belle | ... | special thanks |
Mushi Belle | ... | special thanks |
J. Tyler Carpenter | ... | special thanks |
Wendy Clawson | ... | special thanks |
Cliff Davis | ... | special thanks |
Michael DeLorenzo | ... | special thanks |
Annette Elin | ... | special thanks |
Darren Elin | ... | special thanks |
Eric Elin | ... | special thanks |
Leslie Elin | ... | special thanks |
Rodney Elin | ... | special thanks |
Daniel Flynn | ... | special thanks |
Angela Garcia | ... | special thanks |
Beryl Lawrence | ... | special thanks |
Ed Mantini | ... | special thanks |
Mel Metcalfe | ... | special thanks |
Jim O'Neill | ... | special thanks |
Men Quach | ... | special thanks |
Ana Reeser | ... | special thanks |
John Reeser | ... | special thanks |
Sam Reeser | ... | special thanks |
Don Reinhardt | ... | special thanks |
Madeliene Rizo | ... | special thanks |
Renee Rogers | ... | special thanks |
Elizabeth K. Roth | ... | special thanks |
Donna M. Santistevan | ... | special thanks (as Donna Elin) |
Shadow & Luna | ... | special thanks |
Carolina Slativeri | ... | special thanks |
Ricky Stoutland | ... | special thanks |
Guy Thomas | ... | special thanks |
Chau Tran | ... | special thanks |
Nguyet Truong | ... | special thanks |
David Wang | ... | special thanks |
Nancy Webb | ... | special thanks |
Production Companies
Distributors
- New City Releasing (2003) (World-wide)
- Bridge Entertainment Group (2002) (Netherlands) (DVD) (VHS)
- Bridge Entertainment Group (2004) (Netherlands) (DVD)
- Cell Block Productions Inc.
- Columbia TriStar Films de Argentina (2003) (Argentina)
- Columbia TriStar Home Video (2002) (United States) (DVD)
- Columbia TriStar Home Video (2002) (United States) (VHS)
- LK-TEL (2003) (Argentina) (DVD)
- LK-TEL (2003) (Argentina) (VHS)
- Net5 (2005) (Netherlands) (tv)
- RocVale Film (2000) (Australia) (DVD)
- Samuel Goldwyn Films (2021) (United States) (tv) (VOD)
- Unified Film Organization (UFO) (2002) (United States) (tv)
- Unipix Entertainment (2003) (United Kingdom) (DVD)
- e-m-s the DVD-Company (2002) (Germany) (DVD)
Special Effects
Other Companies
- ADCO/United Rentals (heavy equipment)
- Adobe After Effects (software)
- Adobe Photoshop (software)
- Airline Film & Television Promotions Inc. (special thanks)
- All Payments Services (payroll)
- BTS Payroll Services Inc. (payroll)
- Cannella Productions (audio post-production)
- Chapman/Leonard Studio Equipment (dolly)
- Cinemobile System (grip and lighting equipment)
- College of the Canyons (special thanks)
- Crown Reality (special thanks)
- Davis Electric Inc. (special thanks)
- Deux Lang Casting (casting)
- Digital Image Laboratories (post-production facilities)
- Dr. Rawstock (special thanks)
- Espresso Express (special thanks)
- Eyeon Digital Fusion Post (software)
- Eyewatch Studio Services (set security)
- Film Finances (bond)
- Gary Krowse Insurance Company (insurance)
- Imperial Bank (financial facilities)
- J.L. Fisher (dolly)
- Jacoby, Capogrosso & Wahl (legal)
- Keslow Camera (camera equipment provided by)
- Lokbox Electronic (negative cutting)
- Lokbox Electronic (telecine services)
- Los Angeles Metropolitan Water District (special thanks)
- Magic Film and Video Works (negative cutting)
- Magic Film and Video Works (telecine transfers)
- NT Audio Visual (optical soundtrack)
- Newtek Lightwave 5.6 (software)
- Papa's Catering (catering)
- Pixel Magic (negative scanning services)
- Protocal (special thanks)
- Reel Good (special thanks)
- Screen Music Studios (SMS) (audio post-production mixing facilities)
- Security Fire Protection Inc. (special thanks)
- Sessions Payroll Management (extras payroll)
- Solitaire Cine III (effects film recorder)
- The Action FX Company (physical effects coordination)
- Title House (end titles)
- Tri-Signal Integration Inc. (special thanks)
- Western Studio Services (special thanks)
Storyline
Plot Summary |
In the highest security prison, located in Antarctica, for the world's deadliest criminals, a mining operation unleashes a giant prehistoric snake with a voracious appetite. It is up to the prison staff, inmates, and two paleontologists to hunt down the beast, escape, or become its prey. Written by Anonymous |
Plot Keywords | |
Taglines | 12,000 feet below the Antarctic ice, it lays in wait. See more » |
Genres | |
Parents Guide | View content advisory » |
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Did You Know?
Goofs | The guard tells Yuri that he's "20 miles north of the south pole". This isn't an actual geographic location. Once you are standing on the south pole, you can walk 20 miles in any direction and you are going north. See more » |
Movie Connections | Followed by Python 2 (2002). See more » |