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Storytelling (2001)

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College and high school serve as the backdrop for two stories about dysfunction and personal turmoil.

Director:

Todd Solondz

Writer:

Todd Solondz
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Selma Blair ... Vi (segment "Fiction")
Leo Fitzpatrick ... Marcus (segment "Fiction")
Robert Wisdom ... Mr. Scott (segment "Fiction")
Maria Thayer ... Amy (segment "Fiction")
Angela Goethals ... Elli (segment "Fiction")
Devorah Rose ... Lucy (segment "Fiction")
Nancy Anne Ridder Nancy Anne Ridder ... Joyce (segment "Fiction")
Steve Rosen ... Ethan (segment "Fiction") (as Steven Rosen)
Aleksa Palladino ... Catherine (segment "Fiction")
Mary Lynn Rajskub ... Melinda (segment "Fiction")
Tina Holmes ... Sue (segment "Fiction")
Paul Giamatti ... Toby Oxman (segment "Non-Fiction")
Mike Schank Mike Schank ... Mike (segment "Non-Fiction")
Xander Berkeley ... Mr. DeMarco (segment "Non-Fiction")
Mark Webber ... Scooby Livingston (segment "Non-Fiction")
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Storyline

Storytelling is comprised of two separate stories set against the sadly comical terrain of college and high school, past and present. Following the paths of its young hopeful/ troubled characters, it explores issues of sex, race, celebrity and exploitation Written by Fine Line Features

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong sexual content, language and some drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

8 November 2001 (Russia) See more »

Also Known As:

Untitled Todd Solondz Project See more »

Filming Locations:

New Jersey, USA See more »

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Box Office

Opening Weekend USA:

$73,688, 27 January 2002, Limited Release

Gross USA:

$912,442, 24 March 2002
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

One of the characters asks Toby Oxman if the documentary he's making can get into Sundance. Previously, Todd Solondz got a Grand Jury prize for his film Welcome to the Dollhouse (1995). See more »

Goofs

When Consuelo was cleaning the floor while Mikey was asking her about her family, the amount of dirt on the floor changes twice when the camera is turned away. See more »

Quotes

Mikey Livingston: Speak English.
See more »

Connections

Referenced in Mark Borchardt Was in 'The One' with Jet Li (2002) See more »

Soundtracks

Island Girl
Performed by Elton John
Written by Elton John, Bernie Taupin (as Bernard J.P. Taupin)
Published by Happenstance Limited / Rouge Booze, Inc.
Administered by Warner Bros. Music Corp.
Courtesy of Mercury Records Ltd.
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

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User Reviews

 
Like That Thing On Your Neck, It's Grown On Me
12 June 2008 | by loganx-2See all my reviews

At first viewing I though this was the weakest of director Todd Solondz films, however like all of his works, it's impossible to forget once seen. Todd Solondze absorbed criticisms about exploitation, showing misery for misery's sake, and just generally being a "meanie", and turned them into the cinematic equivalent of a "dis song"(rap term for song made specifically as an attack or "beef" with another rapper), with Solondz against critics, carefully trying to explain the notions of "Storytelling". Our first story deals with sex, political correctness, race, and fiction writing, as a young liberal college girl has unpleasant and ironic sexual experience with her Black writing professor. Our second well...with the same subjects just this time with non-fiction in place of fiction. Here Solondz shows us yet another dysfunctional upper middle class Jewish family in chaos, but this time as a "documentary", which shows us the pathetic film maker, the cruel or otherwise ignorant family, and the audience who laughs and scoffs, at it all.

This is a rare film, because it's a film maker addressing his critiques, himself, and his audience all at once. And it has plenty of Solondz trade mark cringe scenes, that veer drastically from comic to dramatic in a matter of breaths. The results are absorbing but like all Solondz it leaves a bad taste in your mouth, and makes you honestly question your own moral compass. They say satire is dead if the audience cannot be shocked, but it's also dead if the audience cannot be shamed, in the days where South Park and Family Guy, are on non cable TV any afternoon (l love both shows), shock and shame are concepts so familiar they've lost some of their power. Thankfully just when we've seen it all and were sure that nothing matters and nothing can surprise, startle, or offend us, Todd Solondz will be there to show things can always get worse.


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