Preston Tylk is an ordinary guy living in Seattle. When he discovers that his wife, Emily, whom he adores, is having an affair, he is devastated. Storming out of the house, he returns later ... Read allPreston Tylk is an ordinary guy living in Seattle. When he discovers that his wife, Emily, whom he adores, is having an affair, he is devastated. Storming out of the house, he returns later only to find her brutally murdered.Preston Tylk is an ordinary guy living in Seattle. When he discovers that his wife, Emily, whom he adores, is having an affair, he is devastated. Storming out of the house, he returns later only to find her brutally murdered.
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Luke Wilson portrays the angst-ridden, quasi-loser, nice-guy-finishes-second last in a way only he can. He is the victim of a boring, cheating wife, a slice d' la ass in Mili Avital, who detaches from the marriage for Norman Reedus, the Prada model turned unwashed actor. Norman really takes the movie cinematography to a new level with his brilliant and piercing blue eyes - boring down on real or imagined foes with great alacrity and recompence.
The man for whom Oscar's are no stranger, a thespian in every sense of the word, none other than Dennis Farina - the shrewd and wise Miami cop turned private eye in Seattle. Dennis may have been strong in Saving Private Ryan and Get Shorty, but dominates this movie with his composure and sleuth skills.
Even the extras are true to life. During one particular scene when the chase begins, Wilson is seen eating in a low end diner. Stereotypically, the cook looks like a bitter old cook, the Seattle locals look grungy and flannel-clad, and the policeman looks like an FBI agent.
Overall, a strong recommendation for a Friday night at home. You won't be dissapointed with the chase, plot, and eventual outcome.
At first, I found things to be a bit standard as far as "thrillers" go, almost on the level of a basic TV movie. But something really starts to draw the viewer in and by watching through to the end, there is really a nice payoff.
Don't try to compare this to Hitchcock, just sit back and let the story unfold. When Preston (Luke Wilson) hears his wife confess to having an affair, he storms out to a cafe and when he comes back home he finds her dead. By trying to confront her lover Jonathan (Norman Reedus), things get way out of control, even hiring a private detective (Dennis Farina) proves to make a messy situation even worse. It's easy to say these guys do a LOT of stupid, stupid things (like busting up a motel room) and one would think that in reality no one would make such bad decisions, but I took into consideration that people really act in the strangest ways when confronted with a situation that's extraordinary and no time to really think things through. Preston has his flaws, but he's really an okay guy, as is Jonathan. By appreciating the quiet desperation and increasing tension between them, along with the effective rainy locations in Tacoma and Seattle, the film is somber yet tense.
I actually love grey, rainy landscapes -- to me they're calming instead of gloomy. But considering the sadness in Preston's life and both he and Jonathan (as well as the detective) knowing that no matter what they do it's going to end rather messy, the wet greys of the sky and deep greens of the Northwest accent the film in a very melancholic way. The score is beautiful in many scenes, and rather grand for a film of this type made today (particularly one with such a low budget). Actually, the dramatic cues seemed a bit too grand in places, but it reminded me of how mysteries and thrillers back in the 1970s used to have full orchestral scores instead of everything being done on an electronic keyboard. Some very nice piano work, wish I had a soundtrack recording of it.
I know that some would just get fed up with these characters' behavior and think that the film just going to have a typical knock-down, drag-out fight to end it all, but I for one was pleasantly surprised to see the way the story took a turn and threw in a twist here and there. Even the ending seemed just right (even if it gives you a Shawshank Redemption deja vu moment). I felt a little sad yet satisfied by the turn of events, as is how I truly think the ending is supposed to affect you. After listening to the audio commentary on the DVD, you may also appreciate more what writer/director Jon Bokenkamp was trying to accomplish.
Not a perfect film, but by no means a misfire. I found Preston Tylk/Bad Seed to be a nice diversion from the common Hollywood "thriller" and would recommend it for those not wanting grandiose style and wanting a dramatic tale, something just right to watch with some snacks on a night at home, relaxing.
It's got one or two OK chase scenes & a bit of drama but there's not much else going on. The lead actor is a large part of the problem (he's barely there, maybe he was on tranqulisers or something to help him cope with this abysmal script) and the musical score is another problem. If you're trying to create an edgy thriller why on earth would you use music that would be more suitable for some mediocre schmaltzy sugary Hallmark tragic romance flick. That horrible "angelic choir" music completely destroyed any atmosphere this thinly drawn tale might have dredged up. But even with decent sound I don't think this would have been a whole lot better.
There's no mystery, no suspense and no thrills. The actor playing Johnathon did an OK job with what he had, which wasn't a lot. He was convincing at least. The PI was a stereotype. And there was some weird touchy feely stuff between the main dude and the PI that didn't really belong.
After the first interesting 20 mins the pacing drops to an excruciatingly slow amble and becomes much more of a drama than a thriller. I am not a big fan of drama - unless it's EXCEPTIONAL and deals with important stuff - which this isn't and doesn't'.
The ending just drags on forever with no particular purpose. In fact, it felt like they filmed half a dozen alternative "endings" but the director couldn't decide which one to use so he threw them all in. The final final ending was particularly boring and nonsensical. I also knew "whodunnit" pretty early on. There was no surprises for me. The only bright spot was the kid who played Dillon.
BUT I have given it 4 points because it's actually better than a lot of the mediocre stuff around - and that's not really saying much. I think it had an interesting story even if it wasn't portrayed well. I'd love to have seen what a more innovative & confident director with some decent actors could have made of it.
I can't say this is a great movie, not even sure it qualifies as "good" but it has it's OK points and it isn't a disaster. I didn't even fast forward any of it so that shows it at least held my interest (except maybe the end(s) when I started shuffling papers etc while it tried to find a point to finish on).
I DO think it's an excellent choice for say, a guy who wants a night in watching movies with his girlfriend (or vice versa) and can't work out whether to get a chick flick or a boys action/adventure/thriller movie. This will cover both of you, albeit in a not entirely satisfactory way. But if she likes sob-movies she'll probably like it. You can just watch the chase scenes and even score brownie points for offering to make drinks during the slow bits. :D (PS But not if she's a chick like me. In which case you'd be better off renting Suspiria or Ils)!!)
Not for serious fans of the genre or movie buffs but OK for a slow night/rainy afternoon popcorn fodder.
Storyline
Did you know
- TriviaThe police officer who questions Preston (Luke Wilson) in the hospital is Andrew Wilson- Luke Wilson's real-life brother.
- Quotes
Jonathan Casey: If I have to take away everything that matters to you, I swear to God I will break you. Then I'm gonna kill you.
- ConnectionsReferences Apache Drums (1951)
- SoundtracksSecond Time
Written & Performed by The Buskers (Bob Frey & Marc Conklin)
(c) 1996 HTL Music
- How long is Bad Seed?Powered by Alexa
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