When she was a little girl, Wakako Kyoguku's portrait was painted by a talented young artist. Years later, she takes it to an art gallery in Ginza, in hopes of reuniting with the creator whom she never knew the name.
Set in 1922, is the story of a mail order bride, one of 700, aboard the SS KING ALEXANDER, who falls in love with an American photographer. She is bound for her new husband, in New York; he is on his way home to a failed marriage.
When Adam and Eve having succumbed to Lucifer's temptation, are cast out of the Garden of Eden, Adam holds Lucifer to his promise, reminding him that "You said I would know everything!". So... See full summary »
Story of distant mountainous region in Georgia that depicts folklore, lifestyle and daily routines of Svani people, focuses on the scarcity of salt in Svaneti region. Rich with documentary ... See full summary »
Brave sons of Khevsureti and Kisteti fight against each to protect their homelands. But, they confront faulty domestic traditions to respect enemy's true prowess and find themselves in conflict with own compatriots.
Jozaburo Araki is the head of a famous family-owned wholesale pharmaceutical store with a well-established history. At present he is the Minister of Health and Welfare, and is considering ... See full summary »
Francis Urquhart is too experienced a politician not to know that everything must end, even his long career as British prime minister. In order to secure his retirement and establish ... See full summary »
CHEMI BEBIA (MY GRANDMOTHER) is a Georgian avant-garde slapstick silent comedy that was banned in the Soviet Union for almost 50 years. And it's pretty easy to see why. Whereas later Georgian filmmakers became rather adept at slipping political criticism under the noses of the Soviet censors, this film ends with a completely unambiguous rallying call for the death of bureaucrats. Lots of the creative techniques one associates with early Soviet cinema are on display here, but they are filtered through a sieve of early American slapstick and used mostly (and most successfully) for comedy. Imagine Harold Lloyd starring in Terry Gilliam's BRAZIL and you'll start to get an idea of what MY GRANDMOTHER is like. It's hilarious, and historically it's interesting to watch in that it's just as politically obvious as any other early Soviet film, but in an entirely different way.
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