Werner Herzog returns to the South American jungle with Juliane Koepcke, the German woman who was the sole survivor of a plane crash there in 1971. They find the remains of the plane and recreate her journey out of the jungle.
German-American Dieter Dengler discusses his service as a U.S. naval pilot in the Vietnam War. Dengler also revisits the sites of his capture and eventual escape from the hands of the Viet Cong, recreating many events for the camera.
About the daring adventure of exploring rain forest canopy with a novel flying device-the Jungle Airship. Airship engineer Dr. Graham Dorrington embarks on a trip to the giant Kaieteur ... See full summary »
Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave. Herzog ... See full summary »
Herzog's documentary of the Wodaabe people of the Sahara/Sahel region. Particular attention is given to the tribe's spectacular courtship rituals and 'beauty pageants', where eligible young... See full summary »
This film shows the disaster of the Kuwaitian oil fields in flames, with few interviews and no explanatory narration. Hell itself is presented in such beautiful sights and music that one has to be fascinated by it.
Werner Herzog returns to the South American jungle with Juliane Koepcke, the German woman who was the sole survivor of a plane crash there in 1972. They find the remains of the plane and recreate her journey out of the jungle.Written by
Another remarkable Herzog doc, about Juliane Koepcke, the 17 year-old sole survivor of a 1971 plane crash in the Peruvian jungle. 27 years later, Herzog takes her to visit the crash site and retrace her nine-day journey to rescue. The tale has many fascinating elements, not the least of which is the fact that Herzog himself was almost on that flight, on his way to film AGUIRRE. Then there's the man with a special role in the story, and who almost lost his life helping with the documentary. The film contains the usual enigmatic Herzogian touches like his poetic narration and strange detours. One of my favorite moments was actually one of the least relevant: a minute is taken to film a young girl delighted with the camera. An upbeat glimmer of innocence in this story of someone facing the abyss and emerging through the other side, haunted forever but still alive.
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