Plotting on a payment they are about to receive, residents of a collapsing collective farm see their plans turn into desolation when they discover that Irimiás, a former co-worker who they thought was dead, is coming back to the village.
After witnessing a crime during his night shift as railway switchman near the docks, a man finds a briefcase full of money. While he and his family step up their living standards, others start looking for the disappeared case.
A large, claustrophobic apartment is the setting for this intense chamber drama. In this dense setting, the inhabitants of the apartment reveal their darkest secrets, fears, obsessions and hostilities.
Miklós Székely B.
A young boy plays an accordion in a shopping mall. Béla Tarr picks up the camera one more time to shoot his very last scene. It is his anger about how refugees are treated in Europe, especially in Hungary.
This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. Even in this bewildered cold hundreds of people are standing around the circus trailer, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighboring settlings, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. Aambitious personages of the story feel they can take advantage of this situation. The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness. Even his mere appearance is enough to break loose destructive emotions....Written by
The movie was shot in the town of Baja, Hungary. See more »
Janos finds Lajos, who is supposedly dead, yet you can clearly see the actor breathing. See more »
I have to make it clear that not even for a moment is there doubt that it is not a technical but a philosophical question. So that the tonal system in question, through researches, has led us inevitably to a test of faith, in which we ask: on what do we base our belief that this harmony, the core of every masterpiece, referring to its own irrevocability, actually exists or not. From this it follows that we should speak of, not research into music, but a unique realization of non-music which for...
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It is closing time in a bar somewhere in Eastern Europe. Someone says, "Show us, Janos". A blank faced young man, Janos Valuska (Lars Rudolph), begins to organize a ballet of inebriated patrons playing the Sun and the Moon turning in their orbits. Valuska pleads, "All I ask is that you step with me into the bottomlessness." As the dance continues, the men are spun. They stop suddenly as the orchestrater tells us that "in this awful, incomprehensible dusk, everything that lives is still " Then, with a push, the dancers carry on until the Earth emerges from the Moon's shadow. The eternal conflict between darkness and light begins again.
Containing shots that last up to fifteen minutes at a time, Werckmeister Harmonies, the latest film by Bela Tarr (Satantango, Damnation), is a nightmarish vision of a society duped by political demagogues and distracted by circuses, being led into a cycle of violence and despair. Based on a novel by László Krasznahorkai, it is a powerful and disturbing film that, in its surreal depiction of growing madness in an unnamed town, is reminiscent of Roy Andersson's Songs From the Second Floor. The film takes its name from the theories of Janos' "uncle" Gyorgy Eszter (Peter Fitz), a musicologist who tells him of his obsession with the legacy of Andreas Werckmeister, a 17th century German musician who created the twelve-tone scale. Eszter believes that perfect order does injustice to the holiness of music, and says that the heavens move to their own music.
As Janos leaves the bar and walks through the cold and half-deserted streets, streets that in T.S. Eliot's phrase "follow like a tedious argument of insidious intent", an enormous van drives up the main street and comes to rest in a great empty square in the town center. A circus is in town. The exhibit contains the world's largest whale, dead and stuffed with tiny staring eyes, and The Prince, a shadowy figure that we never see. The town is full of rumors of impending violence. Janos sees the whale and watches a growing group of seemingly unemployed middle aged men gather silently around fires in the square. He seems to know everyone in the town. To further her political agenda of "town cleansing" (read ethnic cleansing), Eszter's estranged wife, Tunde (Hanna Schygulla), sends the compliant Janos on errands. He is told to put the children of the police chief to bed but, as if presaging the coming violence, they stomp on their beds to a cacophony of noise while one shouts at Janos over and over again. "It will be hard for you". "It will be hard for you." He is also asked to listen to conversations in the square and report back to her, but he only hears the Prince saying, `What they build and what they will build is illusion and lies. What they think and what they will think is ridiculous'.
When the signal is given, the men in the square come together and march towards us with growing anger in a hypnotic parade lasting five terrifying minutes. They go on a rampage, setting fires and ransacking a hospital, beating the sick in an unbroken orgy of violence. Patients huddle by their beds in silent fear. Suddenly a door is opened. Confronted by the menacing faces, an emaciated old man stands naked in a shower bathed in an amorphous light. Transfixed by what they have seen, the men abandon their task and retreat silently into the street. On the morning after, order is restored. The van is broken down and the whale is exposed as little more than an overstuffed balloon. The Sun emerges from behind the Moon to the swell of ineffably beautiful music. We have reached the end of the cycle only to begin dancing again when the next Prince calls the tune.
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