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Les glaneurs et la glaneuse (2000)

Not Rated | | Documentary | 7 July 2000 (France)
Varda films and interviews gleaners in France in all forms, from those picking fields after the harvest to those scouring the dumpsters of Paris.

Director:

Agnès Varda

Writer:

Agnès Varda

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16 wins & 3 nominations. See more awards »

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Cast

Credited cast:
Bodan Litnanski Bodan Litnanski ... Himself
Agnès Varda ... Herself
François Wertheimer François Wertheimer ... Himself
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Storyline

An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. The aesthetic, political and moral point of departure for Varda are gleaners, those individuals who pick at already-reaped fields for the odd potato, the leftover turnip. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Documentary

Certificate:

Not Rated | See all certifications »
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Details

Country:

France

Language:

French

Release Date:

7 July 2000 (France) See more »

Also Known As:

Die Sammler und die Sammlerin See more »

Filming Locations:

France See more »

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Box Office

Opening Weekend USA:

$12,655, 11 March 2001, Limited Release

Gross USA:

$149,834, 15 July 2001
See more on IMDbPro »

Company Credits

Production Co:

Ciné Tamaris See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Connections

Referenced in The Gleaners and I: Two Years Later (2002) See more »

Soundtracks

Apfelsextett
Composed by Pierre Barbaud
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User Reviews

 
One of the best docs I've ever seen!
22 March 2006 | by theoscillator_13See all my reviews

Yeah, it was that good. I was introduced to the French New Wave when I was in college and I was instantly a fan. Of course I loved Godard and Truffaut but I was also a always a fan of Varda's work. The one woman allowed run with "the boy's club".

Even in her later years in 2000, the mark of the Nouvelle Vague was still evident in her work. Shot on video at a time when things looked like they were shot on video, this movie held true to all of the same ideals that Varda stood for 40 years earlier. There wasn't a lot of time or money spent on lighting and capturing the perfect image but what was lacking was made up for with true cinematography and framing of the shots. Visually the movie is both cheap and no frills and meticulous and artistic.

But like any good documentary, Varda's vision and message trumps any superficial aspect of the film-making. The message that there is beauty in every aspect of our existence regardless of how insignificant we think it is resonates throughout the story and will stick with you long after the movie has ended.


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