Lynn gets upset when she learns that her record label is pushing back the release of her album to promote another artist, Chrisette Michele. When Lynn confronts the record label, they tell her they ...
Jamie King (Jamie Foxx) is an aspiring actor from Terrell, Texas, who has come to Los Angeles to pursue a career in entertainment. To support himself, he works in his family's hotel, the ... See full summary »
Once famous football player must rent part of his house in order to support himself. A single mother and her two kids are the latest tenants. He also owns a sports clinic that he barely manages to run with a little help from his friends.
Sassy sitcom centering on radio and television personality Martin Payne. Series focuses on his romantic relationship with girlfriend Gina, her best friend Pam and escapades with best friends Tommy and Cole.
Thomas Mikal Ford
This show started out good, and has gotten better and more assured throughout its run. Comparisons to "Sex and the City" and "Living Single" are fair, but only tell half of the story. As the show has developed, it has made such comparisons necessarily reductive: "Girlfriends" combines the best of both of those predecessors and throws in other elements to make a series which is both thought-provoking and one of the most raucously funny projects on TV today. Its location in UPN's Monday night "ghetto" is both a blessing and a curse: it gives "Girlfriends" a firm foundation within the target African-American audience, but it limits the show's ability to reach out to other audiences. I wish more people would seek it out; I'm pretty sure they'd love it as much as I do. During the third season, scripts have continued to tackle serious subjects with greater and greater success, while keeping the laugh count as high as ever (much higher than 90% of comedies on the air). The performances remain strong as the characters are taken through much more than usual sitcom paces. This show actually has the nerve to tell real stories, rather than growing stale out of fear of change. The producers have managed to keep the viewers laughing while becoming the leading fictional forum for racial issues and simultaneously earning its feminist bona fides (including an A+ rating from NOW).
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