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Donnie Darko (2001)

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A troubled teenager is plagued by visions of a man in a large rabbit suit who manipulates him to commit a series of crimes, after he narrowly escapes a bizarre accident.

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Top Rated Movies #224 | 11 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Mark Hoffman ...
Police Officer
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Bob Garland
Tom Tangen ...
Man in Red Jogging Suit
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Storyline

Donnie Darko doesn't get along too well with his family, his teachers, and his classmates; but he does manage to find a sympathetic friend in Gretchen, who agrees to date him. He has a compassionate psychiatrist, who discovers hypnosis is the means to unlock hidden secrets. His other companion may not be a true ally. Donnie has a friend named Frank, a large bunny which only Donnie can see. When an engine falls off a plane and destroys his bedroom, Donnie is not there. Both the event, and Donnie's escape, seem to have been caused by supernatural events. Donnie's mental illness, if such it is, may never allow him to find out for sure. Written by J. Spurlin

Plot Summary | Plot Synopsis

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Motion Picture Rating (MPAA)

Rated R for language, some drug use and violence | See all certifications »

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Release Date:

26 October 2001 (USA)  »

Also Known As:

Donnie Darko: The Director's Cut  »

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| (director's cut)

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Voted number five in the list of Australia's ten favorite movies. See more »

Goofs

The movie is set in Middlesex, VA, meaning that cars should have Virginia license plates. There are several cars that have California license plates instead. See more »

Quotes

[first lines]
Elizabeth: I'm voting for Dukakis.
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Crazy Credits

After the closing credits, on the director's cut, there is the title of the movie followed by a drawing of Frank. See more »

Connections

Referenced in The Sugarcube Critic: Mare in the Moon (2013) See more »

Soundtracks

Mad World
Written by Roland Orzabal
Performed by Gary Jules and Michael Andrews
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User Reviews

the dreams in which I'm dying are the best I've ever had
23 May 2002 | by See all my reviews

"Harvey" meets "The Mothman Prophecies," as a troubled teen starts hallucinating a horrific 6-foot-tall bunny rabbit that brings him dark forebodings about death and disaster in the very near future. A streak of "Heathers" is mixed in as well, with trenchant satirical observations of high-school life in the late '80s (story set in Oct. 1988), involving a priggish teacher, a self-help guru (Patrick Swayze!), and a put-upon fat girl at the fringes of the herd. Finally, a whiff of "Back to the Future," in the form of a local eccentric who just may have discovered the secret of time travel, but a secret that has more to do with spirituality than technology.

A lot goes on here. There's a meditation on the possible overlap between madness and the ability to perceive the divine. There's a demonstration of why, in the Bible, angelic messengers (if that's what "Frank" can be taken to be) are often so terrifying that they have to start by saying "Fear not." There's an enlistment of what martial artists refer to as the "ki" (or personal energy, emanating from a person's midsection) in the type of time travel depicted here (the term "ki" is never used in the flick, but the term "path," another word for Tao or "Way," is). Quantum physics theory about wormholes is tied to the Fortean phenomenon of things falling unexplained from the sky, in a way that's more pivotal, and therefore more interesting, than the gratuitous rain of frogs in "Magnolia."

Time travel paradoxes and ironies enter the picture as well. One character (no spoiler!), whose life is saved by Donnie's ultimate trip back in time, wouldn't have died in the first place if he hadn't dragged her along to the opening of the wormhole. Another character (again, no spoiler!), whose truly terrible secret comes to light in the wake of an arson investigation, must go unexposed as a result of that same time reversal, since the arson now won't happen. Surely that's no oversight on the part of the screenwriter; it must be an acknowledgment of the choices and trade-offs in life, as well as of a confidence that no such terrible secret can remain hidden forever.

Somehow this pastiche works, largely on the strength of good performances. Jake Gyllenhaal is appropriately moody and, also appropriately, not always likeable in the title role. Drew Barrymore, who executive produced, appears as a frustrated first-year teacher. The movie's often dreamlike atmosphere is enhanced by the cinematography, the subdued but effective special effects, and the choice of the music on the soundtrack, which includes '80's pop tunes, of course, and a haunting original song (over the end credits) titled "Mad World."

Not for all tastes, but better, stranger, and more complex than I expected.


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