In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
Robert Downey Jr.,
Donnie Darko doesn't get along too well with his family, his teachers, and his classmates; but he does manage to find a sympathetic friend in Gretchen, who agrees to date him. He has a compassionate psychiatrist, who discovers hypnosis is the means to unlock hidden secrets. His other companion may not be a true ally. Donnie has a friend named Frank, a large bunny which only Donnie can see. When an engine falls off a plane and destroys his bedroom, Donnie is not there. Both the event, and Donnie's escape, seem to have been caused by supernatural events. Donnie's mental illness, if such it is, may never allow him to find out for sure.Written by
The words "Cellar Door" are written on the chalkboard in Karen Pomeroy's (Drew Barrymore's) classroom. When Donnie asks about their meaning, she replies that "This famous linguist once said that of all the phrases in the English language, of all the endless combinations of words in all of history, that Cellar Door is the most beautiful." In the director's commentary, Richard Kelly mistakenly attributes the phrase to Edgar Allan Poe, but it was actually J.R.R. Tolkien, who, in his 1955 essay "English and Welsh", said that "Most English-speaking people will admit that cellar door is 'beautiful', especially if dissociated from its sense (and from its spelling). More beautiful than, say, sky, and far more beautiful than beautiful." Interestingly, one of the locations in Lord of the Rings is called "Eriador", which sounds similar to "Cellar Door", as does the name of the Character "Celeborn". See more »
When Donnie's science teacher begins talking about Roberta Sparrow's book, Donnie puts the Slinky around his neck. The camera cuts to Donnie taking the book and cuts directly back to a rear angle of Donnie to show the Slinky still taut around his neck, which it would not be if he had released his grip on one end of it. See more »
"Proud to Be Loud" Performed by The Dead Green Mummies -- this song is actually performed by the band Pantera. (The Dead Green Mummies do not exist.) Pantera has all but disowned their first four albums, this song is track 5 on the fourth of those albums, "Power Metal." The band presumably did not want to be credited with the song (as they don't consider any of their pre-1990 material part of their discography) and made up the name The Dead Green Mummies. See more »
The director's cut features many small changes with the sound, when compared to the original:
Some scenes have different or no music.
Some scenes have added sound effects.
Sometimes the music is quieter than it was in the original, allowing us to hear the people talking better
Some speech is either added/removed
There is now an "electronic buzzing" sound whenever Frank appears
compelling, eerie, intense, haunting, evocative, potent, sad, heroic
Being an angst-ridden teenager has never been easy, especially when you can see what's down the road, and it looks a lot like the end of your world.
Writer and Director Richard Kelly is an artist whose films I will anticipate and Jake Gyllenhaal is truly remarkable among a very rich cast. He plays a troubled young man with a brilliant intellect and a vast imagination, struggling with the boredom of standard education, and a society afraid of its own shadow (e.g. contemporary America). An imaginary friend, Frank - a seven foot tall metal-headed skull-faced demon-rabbit saves his life by removing him from the the scene of a catastrophe just before it occurs, only to lead him down an alternative path to an even more terrible oblivion complete with forecasts of doom, psychiatrists, and self-help charlatans.
This film feels as creepy as any well-made ghost story I have ever seen, yet redefines the genre of supernatural storytelling in a very unique and original way.
Donnie Darko is a film about heroism and sacrifice, decorated with disturbing imagery, the horror of everyday life, and a soundtrack reminiscent of Lynch's best. It is also a film worthy of several viewings and at least as many varied interpretations.
I can not honestly recommend this to anybody who attends films for the pure sake of entertainment. Nor can I recommend it to people who need straight answers or have limited attention spans. It's art, and does not need to provide pat explanations for itself. As entertaining as this film may be, it has an unrelenting and merciless dark side, and might disturb even the most veteran indy film carmudgeon.
This is a great film. See it.
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