In 17th century Paris, a dashing swordsman named D'Artagnan finds himself at odds with the powerful forces taking over France. He sets out to avenge the murder of his parents and finds his country cleaved by chaos and civil unrest. His heart softens only for Francesca, a fiery peasant girl who claims D'Artagnan's heart on sight.Written by
Sujit R. Varma
The first film the Director Peter Hyams did not work with his usual composer John Debney. Debney had composed the music for Sudden Death, The Relic and End of Days for Hyams. See more »
Just before the Musketeers charge the castle for the final fight scene, d'Artagnan is seen in his normal clothes, then in his father's tunic, then once again without the tunic. See more »
We need more bread. Can you get some, please?
Does he mean you or me?
I thought I was the baker.
There's blood on your apron. You think that came from a croissant?
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This is a movie that really doesn't know what it is. For one thing, it seems to try and hang on to some parts of the story by Dumas, and yet it also is an entirely different story. Seemingly, the only real similarities are the names of the characters. This movie would be much more effective if it was entirely its own story, and not using the names of the famous characters. The reason? This movie totally dashes the names of those characters.
The most unsettling part for me was the fact that the Three Musketeers are nothing like themselves. Porthos is not the least bit arrogant or over-the-top. Aramis isn't religious at all. And Athos does not even remotely resemble the character in the book. Sadly, Justin Chambers makes a better d'Artagnan than Chris O' Donnell, but only because he doesn't do any acting at all, which is better than the profuse overacting of O' Donnell. And Stephen Rea is a good actor, but his character isn't remotely as menacing as Richelieu should be.
With all of that said, if you just view it as a movie, and try to block the actual story out of your mind, it can be entertaining. The fight scenes are very well done, and the pacing keeps the viewer interested. Perhaps this movie could have been really good if it was about the story of a musketeer NOT named d'Artagnan, and his unique adventure. But since it tries to be an interpretation of Dumas, it falls miserably short. As a movie, it is so-so, but as far as an interpretation of the famous story, it is absolutely terrible.
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