12 user

Anak (2000)

TV-PG | | Drama | 10 May 2000 (Philippines)
The main character is a Filipina Overseas Contract Worker, one of the many residents of the archipelago who is forced to leave her family and take a higher paying job in a more prosperous ... See full summary »


Rory B. Quintos


Ricardo Lee (story and screenplay), Raymond Lee (story and screenplay)
3 wins & 9 nominations. See more awards »


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Cast overview, first billed only:
Vilma Santos ... Josie
Claudine Barretto ... Carla
Joel Torre ... Rudy
Baron Geisler ... Michael
Sheila Mae Alvero Sheila Mae Alvero ... Daday (as Sheila Mae)
Amy Austria ... Lyn
Cherry Pie Picache ... Mercy
Leandro Muñoz ... Brian
Tess Dumpit Tess Dumpit ... Norma
Cris Michelena Cris Michelena ... Arnel
Hazel Ann Mendoza Hazel Ann Mendoza ... Young Carla
Daniel Morial Daniel Morial ... Young Michael
Gino Paul Guzman Gino Paul Guzman ... Don Don
Jodi Sta. Maria ... Bernadette
Odette Khan ... Mrs. Madrid


The main character is a Filipina Overseas Contract Worker, one of the many residents of the archipelago who is forced to leave her family and take a higher paying job in a more prosperous Asian country. While she is working her employer refuses to let her take a vacation, nor does he deliver her mail to her. She is unaware, therefore, that her husband has died. When she finally returns to the Philippines she is met with resentment and hatred by her children. The movie studies how she overcomes these feelings and rebuilds the relationship with her family. Written by Tim_the_Bald

Plot Summary | Add Synopsis




TV-PG | See all certifications »

Parents Guide:

View content advisory »


Official Sites:

Official Site (Star Cinema)




Filipino | Tagalog

Release Date:

10 May 2000 (Philippines) See more »

Also Known As:

The Child See more »

Company Credits

Production Co:

Star Cinema See more »
Show more on IMDbPro »

Technical Specs



Sound Mix:

Stereo | Dolby SR



Aspect Ratio:

1.33 : 1
See full technical specs »

Did You Know?


Vilma Santos dyed her bright-colored hair to auburn saying it would protect her image as mayor of Lipa town. See more »


References Babe: Pig in the City (1998) See more »


Bato sa Buhangin
Music by Ernani Cuenco
Lyrics by Snaffu Rigor
Published by BMG Music Publishing Ltd.
Arranged by Ruth Bagalay
Performed by Vilma Santos, Joel Torre and Hazel Ann Mendoza
(Used with permission)
See more »

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User Reviews

just meant to prey on the emotions of ofws..forgetting the essential elements in movie making
3 August 2008 | by LayputSee all my reviews

i have watched this film several years back and when i finally landed in a place where there are millions of ofws, i felt compelled to write a review of it even though i believe no one would even bother reading it.

i have to be frank to say that the producers of this movie tried to beat the emotional punch of ofws, some 7 million of them in 2000, to make sure that they had a fan base that would solidly usher this movie to box office revenues and critical acclaims. but one could clearly see right through the motives of the producers that they intend on getting money even if it meant preying on the emotional vulnerability of ofws.

they have stuck on such an idea that they have discarded the essential points in movie making.

first, the dialogs and conversation flows were downright ridiculous.they were talking so fast as if they were in a hurry.

even if the movie casted very good actors, vilma santos, cherry pie picache, to mention a few, it just really cannot make up for a bad set of dialogs; it even made them appear laughable. just bad, shallow and unlife-like dialogs. the untalented writers even attempted to make the movie appear intense by drenching the dialogs with offensive and obscene expletives even in scenes that did not really need them. this shallow style of scriptwriting made this movie a lot more unbearable as there were unnecessary remarks in a lot of wrong places.

the character of the protagonist was poorly conceived, clichéd, just plain and vividly shallow. why would you despise your mother, who, from previous countless accounts of domestic helpers, had been enduring unimaginable working conditions in other country, just because she missed or unintentionally failed to reply to your letters. how shallow does that plot goes? if this description needed a metaphorical comparison, it should be that this story must have been written by a 4th grader for his short story requirement. i don't understand why such shallow (pardon the over-usage) concoctions pass out as a plot for a movie. maybe the producers also think of the audience as shallow and there was no need to go deeper. honestly in my opinion, they may be quite right. but it was not right to follow the audience's lead. the movie makers should always be the one raising the bar.

second, some angles were terrible. some perspectives were so focused on capturing the intense emotional portrayals of the actors that the important elements in the background were obliterated. again, bad directing. the director just doesn't know what he or she was doing or is it even correct to call her/him a director.

third, many scenes were superfluous and unrealistic. in a certain scene, the mother was grabbing the daughter and wouldn't let go of her for no reason even if the daughter had no plans of going anywhere. this bad situation was so forcefully implemented so that it would appear that they were wrestling. on top of it, the people cheered as if they were watching a wrestling derby. how shallow and mindless of a plot is that that it just made me cringe. we know that when people argue, especially if it involves someone who is a senior, spectators would tend to keep their mouth shut and retreat to the sides. the people involved in the writing of this script obviously do not know what the realities of human psychology and sociology are. they just wrote it so that they had something to write. truly, they obviously lacked the necessary education and talent. they did not even bother to do a little research. they just had the stupid idea in order to have something to call a story.

i still have yet to see a movie that doesn't capitalize so much on the manipulation of emotions for the purpose of amassing revenues. while it is true that movie making is also dictated by economic tides, it is also important not to leave out the essential and artistic aspects of making it. the Philippine cinema is not actually young but it seems to be doting and becoming more and more immature while many watchers have become more and more intelligent.

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