4.7/10
139
5 user

The Pornographer: A Love Story (2004)

Not Rated | | Drama | 2 May 2004 (USA)
The relationship between a director and an actress takes a turn when the lines between art and life are crossed.

Director:

Alan Wade

Writer:

Alan Wade
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Cast

Credited cast:
Irène Jacob ... Anna
Martin Donovan ... Michael
Rest of cast listed alphabetically:
Ezra Barnes ... Waiter
Orlagh Cassidy ... Gail
Kathleen Chalfant ... Mom
Maggie Gyllenhaal ... Sidney
Laura Prepon
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Storyline

The relationship between a director and an actress takes a turn when the lines between art and life are crossed.

Plot Summary | Add Synopsis

Plot Keywords:

independent film | See All (1) »

Genres:

Drama

Certificate:

Not Rated
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Details

Country:

USA

Language:

English

Release Date:

2 May 2004 (USA) See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »

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User Reviews

 
Intelligent and imaginative
5 August 2005 | by jayananiaSee all my reviews

A rare film in that it presumes intelligence and imagination are virtues that one can expect from an audience. A patient, dense, elegant film, it tracks a compelling, odd, coldly romantic (!) character (wonderfully explored by the always-beguiling Martin Donovan) as he circles a curious young actress (the wondrous Irene Jacob in her most mesmerizing performance). It is the manner of the circling that is so peculiar: it is all done through a series of working sessions for a film project that may or may not be real. It is much more than a clever device. It is an oblique and surprising meditation on men and women, in the guise of a spry, stylish 'relationship' film. The interior lives of the characters are beautifully created in a series of tableaux, that seem simple, but are wonderfully imagined and always moving forward.

The touching, smartly playful and clear direction of writer/director Alan Wade give the film a tone that leads inexorably to a truly moving, quiet, uncompromising ending. The last moments of the film are the perfect closure to a film that is quite unusual in it's ambitions and it's subject matter. Martin Donovan, even when completely still, gives the impression of intense, personal thought. So does this film.


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