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The Count of Monte Cristo (2002)

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A young man, falsely imprisoned by his jealous "friend", escapes and uses a hidden treasure to exact his revenge.

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Writers:

(novel) (as Alexandre Dumas père), (screenplay)
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787 ( 219)

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Cast

Cast overview, first billed only:
... Edmond Dantes
... Fernand Mondego
... Abbé Faria
... J.F. Villefort
... Mercedès Iguanada
... Armand Dorleac
... Jacopo
... Maurice
... Luigi Vampa
Guy Carleton ... Mansion Owner
... Napoleon
Barry Cassin ... Old Man Dantes
... Albert Mondego
... Holga (as Zhara) (credit only)
Brendan Costello ... Viscount
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Storyline

'The Count of Monte Cristo' is a remake of the Alexander Dumas tale by the same name. Dantes, a sailor who is falsely accused of treason by his best friend Fernand, who wants Dantes' girlfriend Mercedes for himself. Dantes is imprisoned on the island prison of Chateau d'If for 13 years, where he plots revenge against those who betrayed him. With the help of another prisoner, he escapes the island and proceeds to transform himself into the wealthy Count of Monte Cristo as part of his plan to exact revenge. Written by Anna <annachan@amazon.com>

Plot Summary | Plot Synopsis

Taglines:

Prepare for adventure. Count on revenge.


Motion Picture Rating (MPAA)

Rated PG-13 for adventure violence/swordplay and some sensuality | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

25 January 2002 (USA)  »

Also Known As:

Alexandre Dumas' The Count of Monte Cristo  »

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend USA:

$11,376,150, 27 January 2002, Wide Release

Gross USA:

$54,234,062

Cumulative Worldwide Gross:

$75,395,048
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The second film featuring Michael Wincott to be released by Walt Disney Pictures, and based on a novel by Alexandre Dumas. He previously played Rochefort in The Three Musketeers (1993). See more »

Goofs

When Albert is brandishing his sword against the count, the sword's safety tip is visible. See more »

Quotes

On Screen Text: [first lines, the text that appears on screen] In 1814, the French Emperor Napoleon Bonaparte was exiled to the island of Elba, off the coast of Italy. Fearing an attempt to rescue him, his British captors would shoot anyone who came ashore...
On Screen Text: ...no matter how innocent or desperate.
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Connections

Version of Sugata naki fukushû (1941) See more »

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User Reviews

 
Excellent - Dramatic and Powerful. Revenge served Cold.

Seeing an advance Screening of 'The Count of Monte Cristo', and having only seen one advertising TV spot before hand, I really did not know what I was going into this time. I vaguely recalled it being an Alexander Dumas book, and former film/TV versions featuring rather depressing prison scenes with men tunneling to the freedom of the Sea. Indeed, despite its wonderful locations and details, once the afore-mentioned prison scenes of this version presented themselves I was set to be depressed again and wondered where the story was going. And then several wonderful things happened; A whole new group of characters were introduced to our rather whiney protagonist - some good, some very bad. And by the time said Protagonist had escaped the Prison, he too had become wonderfully evoked and dynamic, and I wanted to see him get everything he wanted and deserved: REVENGE. From then on this film was a barrage of wonderful scripting (the adaption being perfect in its pacing and wit), characters, acting, events, costumes, action, suspense and romance. The audience laughed with genuine awe as each new moment or detail was revealed to us in the plans of the main character's (played perfectly, from his innocent beginnings to his scheming later years)steps towards that end. This movie was amazing, with very cool performances from Guy Pearce and the rest of the supporting cast, each figure getting his or her share of good lines. The tale of vengeance is well-balanced with tales of friendship, questing and plotting, and romance, and all of the implications each relationship holds, be it good or bad. At times the theater openly applauded twists or returning characters. It is perfectly timed and written, with powerful moments and style, and I would recommend it to ANYONE.


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