Chunhyangdyun

This is not just a movie, in the way that Americans, like myself, usually conceptualize contemporary film. Perhaps, it might be interesting, as a learning experience, to view "Chunghyang" with "Gladiator" to understand that these are two distinct art forms, devised by two distinct cultural traditions to tell important stories. I was thrilled to find this film so 'other', so un-American, so un-MTV. A Korean storytelling/operatic tradition is fused with beautiful filming. Dialogue, as the actors play out the story, is interlaced very comfortably with a storyteller's narrative in a sutra-chanting, poetic style, accompanied by one drummer. The storyteller's voice is a remarkable asset of the film. It has to be experienced to understand its power. I thought the film used very sophisticated editing to blend the highly operatic story line with the teller's narrative on stage and with a wonderful middle-Korean, as in middle-American, audience. This omniscient viewing perspective, affording views of several different levels of concurrent existence, was really wonderful. Then, I remembered in the middle of the film that I was reading subtitles without a trace of annoyance or distraction from the visuals. Very nicely done all around. I felt enriched, educated and entertained.