A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
Set on the east coast of New Zealand in 1984, Boy, an 11-year-old child and devout Michael Jackson fan, gets a chance to know his absentee criminal father, who has returned to find a bag of money he buried years ago.
On the brink of the new Millennium in the bustling City of Mexico, one horrible car accident intertwines inextricably the lives of three perfect strangers. Octavio, a rebellious adolescent who is secretly in love with his sister-in-law, dreams of escaping his miserable life, and for this reason, he enters reluctantly the obscure world of dog fighting with his lethal dog Cofi. And then unexpectedly, Valeria, a stunning woman and famous supermodel, will cross paths with Octavio, while in the meantime, her pampered little dog Richie manages to vanish into thin air in the confined space of her apartment. Lastly, Chivo, an ex-guerrilla vagabond, after abandoning his little daughter, unable to make up for lost time, he channels his love to the city's strays and a mortally wounded Rottweiler. In the end, even though all the weary characters, men and beasts, wish for a bright future, in this life-changing journey in the pursuit of love, sometimes infidelity, sin and death can get in the way.Written by
The Red Hot Chili Pepper's music video for their song "By The Way" was inspired by the film's opening car chase scene. See more »
When the industrial is murdered by El Chivo in the restaurant, peasants are seen walking in the street. One of them is a woman with sunglasses. That same woman appears at El Chivo's ex-wife's funeral. See more »
If you don't fuck off, I'll kick your fucking ass!
I'm not scared of you.
[Octavio headbutts Ramiro]
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To Luciano: Because we also are what we have lost. Special Thanks to: "Abba, Pater" See more »
Some people just won't want to sit through this film because of the overtly graphic and disturbing dog fighting scenes, which is ironic, because most people don't seem to mind the graphic violence involving the people in this film. Others simply won't watch it because of the subtitles. This is a shame, since this is by far the best film I have ever seen come out of Mexico (far better and more complex than the comparably immature "Y Tu Mama Tambien"). Here we get an intertwining tale involving dog fights, petty gangsters, a tragically injured model, a cheating husband, an abused teenage wife, and a homeless hit man. As you might expect the homeless hit man becomes the soul of the film, and the dogs serve as a link, reminding us of the violence we inflict upon each other and nature, and the fractured relationships we think beyond repair, but are actually more resilient than we could ever imagine. Brilliantly directed with a great soundtrack and a bigger heart than you might initially perceive, "Amores Perros" is a deep, thought-provoking and utterly enthralling film that you will not soon forget.
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