Arthur and his two children, Kathy and Bobby, inherit his Uncle Cyrus's estate: a glass house that serves as a prison to 12 ghosts. When the family, accompanied by Bobby's Nanny and an attorney, enter the house they find themselves trapped inside an evil machine "designed by the devil and powered by the dead" to open the Eye of Hell. Aided by Dennis, a ghost hunter, and his rival Kalina, a ghost rights activist out to set the ghosts free, the group must do what they can to get out of the house alive.Written by
At breakfast Arthur has coffee spilled on him. When he opens the door to greet Benjamin Moss the shirt stain is much larger, but then gets small again as they cut to the inside of the apartment. See more »
The film's title logo is visibly shown at the very end of the end credits. See more »
The Region 1 DVD release includes extensive background information on each of the ghosts as a bonus feature, including footage not used in the final movie, and newly recorded narration by F. Murray Abraham. See more »
Written by Rah Digga (as Rashia Fisher) and Dorsey Wesley
Produced by Megahertz
Performed by Rah Digga
Courtesy of Flipmode Records/J Records See more »
OK, i'm sticking my neck out for this movie
The only problem i found about "Thirteen Ghosts" is that it is not scary. It has the elements to be a horror movie, the ghosts, the gore, but it is not frightening at all.
So this film can be a real party pooper if you're watching it with the lights off at your girlfriend's house waiting for her to grab your arm through the hard scenes, or expect to enjoy having some nightmares about it. But, omitting that--yeah, i know it's hard to omit that a movie labeled as "horror" is not scary--, i judge it as a very interesting film. The production design is great; the glass house is a state of the art, away from your typical haunted house, looking both luxurious and somehow creepy at the same time. That innovation, carried out with such a splendid result, is worth my applause. So is the decision to make the ghosts be real actors in the set, not digital freaks. Human monsters, even if having to go through 4+ hours of make-up sessions, even if having to use a double amputee actor to play a particular ghost, are the film's best trump card. There are good ideas in this film, and they're very well developed. It doesn't deserve a bad score.
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