Interwoven emotions and struggles of three women of different generations aiming to build the lives they desire, their own future, love and dreams. All of them lose the love of their lives ... See full summary »
Ramiro Forteza, a goalkeeper in the Spanish Premier League, is forced by the rigors of the Civil War and the postwar period to earn a living in small villages, challenging the locals to ... See full summary »
Ourense, Spain, 1940. Every time that Elena locks the door, she locks her secrets. Her husband Ricardo spend years hidden in his house with his children (Elenita and Lorenzo), trying to ... See full summary »
Angela and her young son Guille travel to the big city to see Leo, her father and the boy's grandfather, when he suddenly takes ill. However, they arrive to discover that he has just passed... See full summary »
Set in '50s Spain, a young man (Sanz) leaves the army and looks for a job so he and his fiancée (Verdu) can get married. He rents a room from a widow (Abril), and shortly begins a torrid ... See full summary »
April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, ... See full summary »
Year 1974, Spain. Felipe (Fernando Ramallo) is a teenager who travels with Lorenzo (Antonio Resines), his widowed father. Their only property is the Citröen DS with which they go from one ... See full summary »
Emilio Martínez Lázaro
Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his ... See full summary »
In Mexico City, late teen friends Tenoch Iturbide and Julio Zapata are feeling restless as their respective girlfriends are traveling together through Europe before they all begin the next phase of their lives at college. At a lavish family wedding, Tenoch and Julio meet Luisa Cortés, the twenty-something wife of Tenoch's cousin Jano, the two who have just moved to Mexico from Spain. Tenoch and Julio try to impress the beautiful Luisa by telling her that they will be taking a trip to the most beautiful secluded beach in Mexico called la Boca del Cielo (translated to Heaven's Mouth), the trip and the beach which in reality don't exist. When Luisa learns of Jano's latest marital indiscretion straight from the horse's mouth, she takes Tenoch and Julio's offer to go along on this road trip, meaning that Tenoch and Julio have to pull together quickly a road trip to a non-existent beach. They decide to head toward one suggested by their friend Saba, who seems a little confused himself of ...Written by
La vida tiene sus maneras de enseñarnos. La vida tiene sus maneras de confundirnos. La vida tiene sus maneras de cambiarnos. La vida tiene sus maneras de asombrarnos. La vida tiene sus maneras de herirnos. La vida tiene sus maneras de curarnos. La vida tiene sus maneras de inspirarnos.
When the producers tried to buy the rights of Frank Zappa's "Watermelon in Easter Hay" they were told by Zappa's family that Zappa requested that three of his songs were never played in any media except the album where they appear and that song was one of them. Gail Zappa, Frank's widow, saw the movie when editing was almost completed and agreed to make an exception because she considered that Zappa would be proud of the movie. See more »
After Saba rolls the joint, the leftover marijuana on the Boda magazine on his lap, disappears. See more »
Truth is cool but unattainable... the truth is totally amazing, but you can't ever reach it.
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Watermelon in Easter Hay
from Frank Zappa's "Joe's Garage"
Composed, Produced and Performed by Frank Zappa
Courtesy of the Zappa family
(p) 1994 Ryko Disc Inc. licensed exclusively worldwide, The Zappa Family Trust
(c) Copyright 1979 The Frank Zappa Trust See more »
In many ways Alfonso Cuaron's "Y Tu Mama Tambien" reminds me of the desolation theme of Bernardo Bertolucci's "Ultimo tango a Parigi" (1972) and the deceptive perspective of Michelangelo Antonioni's "L'Avventura." (1960).
Raging post-adolescent hormonal drives seem to propel Julio and Tenoch forward, with little else of substance to account for. Likewise, Luisa's motivation seems more despair- than romance-driven. Thus, the trio's trek in search of the idyllic Boca del Cielo is reminiscent of the forlorn lovers' quest for emotional fulfillment in the Bertolucci film.
Comparison with the Antonioni opus stems from Cuaron's script seemingly being about a carefree, liberated trio on a journey for fun, when in fact, it's really about escape from their own worst "enemies"--themselves.
After a particularly talky beginning (complete with abundant narrations) the film settles in on its main theme, and the dialogue becomes more pointed. While the camera work is generally appropriate, Cuaron tends to rely on long- to medium-shots, with nary a close-up.
The result of this is a somewhat distant enactment, in which the viewer is held a bit at arm's length from the action. One seldom gets close enough to become intimately acquainted with these people. In the end, one is touched by important revelations which are crucial to understanding that which has transpired. Yet, the viewer's emotional involvement is perhaps less than what it might have been, given closer perspectives.
This film obviously impressed many people, and I must agree the work by the principles is uniformly solid. This is a "last tango" which has made its mark as a distinctive film work.
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