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Manhattan. Halley loves Dag, a philanderer who claims he's reformed. Peter, Dag's best friend, loves Rebecca, a suicidal dancer who sleeps around without Peter's knowing. When Halley and Peter learn that Dag and Rebecca have slept together (it started with just a kiss), Halley leaves Dag, and Peter is wounded. In their suffering, Halley meets Andre, a cellist; Peter meets Colleen, Andre's wife; and, a remorseful Dag meets Paula, an edgy waitress with a crush on Peter. Couplings follow; then, several characters end up in hospital. Paula becomes an avenging angel, and Peter may be her next victim. Is there any way these relationships can be set right? Can we go back to that kiss?Written by
Great movie! It starts out with two people about to kiss in a hotel room, with both of them admitting that this is going to be a big mistake. Buit they go ahead and do it anyway. After that, the rest of the movie deals with the implications of that kiss. But the way it is all presented is quite fun. There are the somewhat annoying uses of cartooning effects over the real actors. But the most enjoyable part was the way they played with the timeline. At any given time, you aren't really sure if you're in the present or the past. The first few times take you by surprise.
Not your typical love story, for sure. I thought the actors were fine, everyone lies, noone is perfect, which is the way life is. Just more so. As Sid Ceasar said, "Comedy has to be based on truth. You take the truth and you put a little curlicue at the end." And that's what they did with this movie.
A good 7.5 (8 on IMDB).
12 of 18 people found this review helpful.
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